Kay Kerrigan commits a murder and then changes her hair color, assumes a new identity and flees the country by ship. She's unaware that she's being followed by Sam Wye, a skirt chasing ... See full summary »
Magazine editor Margot Merrick pretends to be married in order to avoid advances from male colleagues. Unfortunately, things don't go to plan when Jeff Thompson, a potential suitor, ... See full summary »
Stranded, penniless in a small Wyoming town, Maisie Ravier flirts with Slim, the manager of Clifford Ames' ranch. Disgusted by Maisie's flirtation, Slim orders her to leave town. Maisie ... See full summary »
Dr. Michael Lewis treats Jane, a mysterious woman claiming to be a British secret agent on the run from German spies. Ultimately convinced, Michael helps Jane escape and with her attempts ... See full summary »
Mimi has tried everything to become the bride to Alan, but he chooses Elizabeth instead. The ironic part is that Mimi's mother writes romance novels and neither one has had any luck with ... See full summary »
An actress, Julie Beck, finds out that she is ill and has only a short time to live. She becomes taken with Hitty, a young orphan prone to dreaming. Julie soon decides to adopt the child so... See full summary »
Showgirl Maisie Ravier finds herself once again out of work. She meets a wealthy playboy who hires her to be his family's new maid. Maisie soon finds herself trying to mend the family's ... See full summary »
"Three Hearts For Julia" is another World War II on the home front romantic comedy. Jeff Seabrook is a war correspondent in the process of getting a divorce from his wife. His wife, a talented violinist, wants a more refined husband. She has two acceptable suitors and wants Jeff (who she considers her best friend) to help her to decide between them. David Torrance - orchestra producer and Philip Barrows - music critic. Meanwhile Julia gets fatherly advice from her conductor Anton Ottoway who has become good friends with Jeff. Written by
This overwritten screwball comedy tries to go in far too many directions at once and, like a centipede asked to demonstrate how it walks, keeps falling over itself.
Although MGM's brilliant lighting and lavish budgets could save many a drama, a comedy depends on good writing and performers. Here you have good performers with Ann Southern, Melvyn Douglas and Felix Bressart in, essentially the third lead. But it seems to have escaped anyone that you know as soon as Douglas begins to speak, in the first scene of his having neglected his marriage, that this movie would be about the recourting of his wife. When was the last time a romantic comedy had anything new in the way of plot points? About twenty years before Plautus was born is my guess. What matters is the jokes and the performers, and the jokes here are few and feeble. Instead we are distracted by a plethora of side issues, including a rather poor attempt to create a Aaron Copland style of score.
Director Richard Thorpe is often criticized for his stolid handling of stolid stars in stolid subjects for MGM -- here was a man who, in his Poverty Row days could turn out something sprightly, silly and cheap like UNDER MONTANA SKIES and WINGS OF ADVENTURE. But his ability to shoot decent stuff less expensively than some of his more fabled fellow directors got him assignments like IVANHOE with Robert Taylor, and what was he supposed to do with something like that other than get an adequate performance out of Robert Taylor on schedule? He can't manage much here, either.
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