Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her...
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Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
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Acrobat Eddie Marsh is in the army now. His first act is to become friendly with Kathryn Jones, the colonel's pretty daughter. Their romance hits a few snags, including disapproval from her father. Eddie's also plagued by fear of having an accident during his family's trapeze act in the army variety show, which also features a gallery of MGM stars. Written by
Daniel Bubbeo <firstname.lastname@example.org>
Put out as a morale-booster/propaganda movie the whole romance story was designed for two purposes: first, to show, through Eddie Marsh (Gene Kelly), that everyone had to cooperate and work together for the war effort and, second, to provide a framework for cameo performances by many of the studio stars. These performances were either lifted from existing, but not released films, or were done in the studio and spliced into the "camp show". This is especially obvious during the "Honeysuckle Rose" segment performed by Lena Horne. See more »
Thousands Cheer had a lot going for it from the get go, the biggest selling point being the amount of talent involved. While it is not a great film there is still plenty to enjoy and on the most part the cast are well-used.
Thousands Cheers' story is very thin and very contrived with the lead in to the film's second half feeling rather abrupt and the script is even thinner with a lot of hokey dialogue and too many moments where it sags in energy. A vast majority of the cast are great and are well-utilised, but Mary Astor is wasted with not very much to do and Red Skelton is more irritating than funny.
It is on the other hand very well-made with lavish sets and gorgeous photography while the Oscar nomination for the music score was deserved, it's very characterful and lush. The songs are not exactly memorable, apart from Honeysuckle Rose, but they are very pleasant and don't bog the film down at all, they are also very well-choreographed. Of all the show segments the highlights were Gene Kelly's dance with the mop, Eleanor Powell's tap dance, Lena Horne's beautiful rendition of Honeysuckle Rose and Judy Garland's uproarious The Joint Is Really Jumpin' in Carnegie Hall. You do wish that Gene Kelly had more dancing to do but he is dashing and very watchable and Kathryn Grayson is charm personified and sings beautifully.
All in all, not a great film but I would be lying if I said I didn't enjoy it. 6/10 Bethany Cox
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