In WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the war, he becomes a producer. In WWII his son Johnny Jones, who was before his ...
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After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ... See full summary »
Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Songwriters Calhoun and Harrigan get Katie and Lily Blane to introduce a new one. Lily goes to England, and Katy joins her after the boys give a new song to Nora Bayes. All are reunited ... See full summary »
Set at the turn of the century, smooth talking con man Eddie Johnson weasels his way into a job at friend and rival Joe Rocco's Coney Island night spot. Eddie meets the club's star ... See full summary »
In WWI dancer Jerry Jones stages an all-soldier show on Broadway, called Yip Yip Yaphank. Wounded in the war, he becomes a producer. In WWII his son Johnny Jones, who was before his father's assistant, gets the order to stage a new all-soldier show, called This is the Army. But in his personal life he has problems, because he refuses to marry his fiancée until the war is over. Written by
Stephan Eichenberg <email@example.com>
"Yip Yip Yaphank," the World War I all-soldier show shown the beginning of the movie, was an actual World War I all-soldier show. It was composed and produced by Irving Berlin while he was a US Army Recruit at Camp Upton in Yaphank, New York. See more »
In the montage of the show tour around the USA, the same city set is used for Cleveland and Washington DC without even bothering to change the shop signs: "Century Antique Shop" and "Yvonne Milliner" are visible in both "cities". See more »
There's a lot of mothers and sweethearts in that mob.
Speaking of sweethearts, get a load of that military objective approaching us. Shall I trip her?
Hey, take it easy, yardbird, the young lady happens to be a friend of mine.
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In the Credits, the cast members are listed in the following order: first the members, who never served in World War II, than the members of the US Armed Forces, starting with Lt. Ronald Reagan. See more »
Standard Irving Berlin wartime musical is flag-waving patriotism at its most feverish pitch...
What really enhanced my enjoyment of THIS IS THE ARMY last night on TCM is the fact that for once I saw a good, restored print of the wartime Warner Bros. musical and it looked great. The colors were vibrant. JOAN LESLIE never looked so beautiful with her reddish brown hair and the uniformly good cast of contract players headed by RONALD REAGAN, ALAN HALE, STANLEY RIDGES and others mixed well with the assorted real-life soldiers and sailors and marines who made up the bulk of the show. GEORGE MURPHY does a standout job as Reagan's show business father.
The Irving Berlin tunes were the film's saving grace. His jaunty "This Is The Army, Mr. Jones," "Oh, How I Hate to Get Up in the Morning," and other sprightly numbers compensate for the very thin plot that has Reagan and Leslie as wartime sweethearts who don't get together until the final reel after quarreling foolishly about whether or not to tie the knot.
Some of the comedy skits between soldiers are beyond corny and fall flat for today's audiences, but as hokey as most of it is, it's still an enjoyable show, especially the sight of beefy men in drag doing their thing with Berlin's irresistible songs. ALAN HALE is especially funny as an overweight soldier forced to take a female part in one of the show's big musical numbers.
And, of course, the blackface routine may turn some politically correct spectators off the entire film.
Trivia note: It's amusing to see Reagan get excited about the presence of the President of the United States in the audience--someone shown only in a distant shot. Reagan himself was about to occupy the White House for two straight terms at a future time. A rare and ironic moment!
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