A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
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Spinster poetess Susan Grieve lives in a Manahattan apartment where naval hero Slick Novak comes with her for a nightcap. Next morning they visit her Connecticut farm where Novak tells her ... See full summary »
Two producers are putting together a Calvacade of Stars for a wartime charity show. Along with a list of well-knowns they promote the work of an unknown singer and songwriter. Written by
Ed Stephan <firstname.lastname@example.org>
In one of the scenes where Eddie Cantor, dressed as an American Indian, is being chased by other men dressed as American Indians, the film negative has been flipped - you can see the signs on store windows are clearly backward/mirror images of what they are supposed to read. See more »
Dinah, Please tell them that I'm Cantor and I'll double your salary.
I don't know who you are, but if you'll double my salary, you're certainly not Cantor!
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At the end, the words "THE END" are sewn into the curtains. See more »
Cantor was one of the biggest stars of his time. And this WW-II extravaganza showcases his comedy talents playing himself and a look-alike cab driver. Dennis Morgan and Joan Leslie are the lovers, Dinah Shore gets a big buildup but her songs are drippy and awful. Edward Everett Horton and S.Z. Sakall are fun as the guys running the Cavalcade that Cantor forces himself into. Humphrey Bogart does a limp cameo, and big Warners stars appear in a series of funny stage numbers. Bette Davis, Ann Sheridan, and Errol Flynn sing; Olivia de Havilland and Ida Lupino do a jive number; Hattie McDaniel sings in a Harlem number; Jack Carson and Alan Hale do an old-time Vaudeville number; Alexis Smith dances; Spike Jones does a novelty number; John Garfield sings on Cantor's radio show, etc. But aside from seeing these big stars, it's Eddie Cantor who makes this worthwhile. A HUGE stage, movie, and radio star, Cantor is wonderful lampooning himself (a la Bob Hope) and playing the nebbish cabbie (a la Woody Allen). While many of his Broadway contemporaries never quite made it in films (Sophie Tucker, Fannie Brice, George Jessell, Al Jolson, Marilyn Miller), Cantor's starring film career lasted almost 20 years, dating from the smash hit Whoopie! in 1930; his radio career lasted 30 years. Cantor is sadly forgotten now, but he was such a big star he won a special Oscar for his film work and his humanitarian efforts.
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