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Thank Your Lucky Stars (1943)

7.3
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Ratings: 7.3/10 from 1,008 users  
Reviews: 30 user | 14 critic

Two producers are putting together a wartime charity show with an all-star cast but the egotism of radio personality Eddie Cantor disrupts their plans.

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(screen play), (screen play), 3 more credits »
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Title: Thank Your Lucky Stars (1943)

Thank Your Lucky Stars (1943) on IMDb 7.3/10

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Cast

Cast overview, first billed only:
...
...
Eddie Cantor / Joe Simpson
...
...
Olivia de Havilland
...
...
John Garfield
...
Pat Dixon
...
Ida Lupino
Dennis Morgan ...
Tommy Randolph
...
Ann Sheridan
...
Dinah Shore
...
Alexis Smith
...
Jack Carson
...
Alan Hale
...
George Tobias
Edit

Storyline

Two producers are putting together a Calvacade of Stars for a wartime charity show. Along with a list of well-knowns they promote the work of an unknown singer and songwriter. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Musical

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

25 September 1943 (USA)  »

Also Known As:

Brilham as Estrelas  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

Eddie Cantor, as Joe the bus driver, tells Joan Leslie that he and his friends all live together in a place called "Gower Gulch". In reality "Gower Gulch" was the area near Gower St. and Hollywood Blvd. where many low-budget production companies and independent producers had their offices. It was so named because most of the films they made were westerns--which were cheaper to make than any other genre--and many cowboy actors and extras hung out in the area looking for work. See more »

Goofs

In one of the scenes where Eddie Cantor, dressed as an American Indian, is being chased by other men dressed as American Indians, the film negative has been flipped - you can see the signs on store windows are clearly backward/mirror images of what they are supposed to read. See more »

Quotes

Eddie Cantor: Dinah, Please tell them that I'm Cantor and I'll double your salary.
Dinah Shore: I don't know who you are, but if you'll double my salary, you're certainly not Cantor!
See more »

Crazy Credits

At the end, the words "THE END" are sewn into the curtains. See more »

Connections

References Whoopee! (1930) See more »

Soundtracks

Song of the Volga Boatman
(uncredited)
Traditional
Music used in the "Hotcha Cornia" number
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

All-star wartime film is breezy fun thanks to Eddie Cantor's antics...
15 April 2001 | by (U.S.A.) – See all my reviews

Before I comment on the film, I just have to say that Dinah Shore's songs in this film are as bad as the "bad" song Joan Leslie is supposed to have written. I think she called it "Moondust" or some such thing.

While the stars occasionally shine in this Warner Bros. musical tribute, it's Eddie Cantor who deserves the most praise for providing most of the laughs. Cantor's dual role as a taxicab driver and an Eddie Cantor lookalike gives him some hilarious moments as he helps Joan Leslie and Dennis Morgan crash the studio gates with his Cantor impersonation. The Warner stock company (including S.Z. Sakall, Edward Everett Horton and many others) is on hand in supporting roles while the stars are given some amusing skits to appear in.

Errol Flynn is amusing in a cockney song-and-dance routine in a pub, Bette Davis talk-sings her way through 'They're Either Too Young Or Too Old', Ida Lupino and Olivia de Havilland do a jive number, mugging outrageously while chewing gum and mouthing words to a song called 'The Dreamer', Dinah Shore warbles an undistinguished song or two, Alexis Smith dances with style and grace, Ann Sheridan does a rather tiresome song number and Jack Carson and Alan Hale struggle through a less than witty routine that defeats both of them.

Humphrey Bogart, John Garfield (obviously tone deaf when he renders "Blues in the Night") and Sydney Greenstreet make fleeting appearances. Hattie McDaniel appears in an unusual novelty number. As one reviewer pointed out, "It's more like amateur night at the studio." But thanks to Cantor, the perky charm of Joan Leslie despite some awful songs and the appealing Dennis Morgan, it all comes together--silly, but lots of fun. Must have been a big hit with the servicemen during the war years, but just don't expect Grade A entertainment.


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