A piano teacher believes that her fiancé, a cellist, was killed on the battlefield. When he returns alive, they marry, but are menaced and threatened by a wealthy, egotistical composer she started dating on the rebound.
When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. ... See full summary »
Rick Leland makes no secret of the fact he has no loyalty to his home country after he is court-marshaled out of the army and boards a Japanese ship for the Orient in late 1941. But has ... See full summary »
Spinster poetess Susan Grieve lives in a Manahattan apartment where naval hero Slick Novak comes with her for a nightcap. Next morning they visit her Connecticut farm where Novak tells her ... See full summary »
Two producers are putting together a Calvacade of Stars for a wartime charity show. Along with a list of well-knowns they promote the work of an unknown singer and songwriter. Written by
Ed Stephan <firstname.lastname@example.org>
In the film, Eddie Cantor winds up in a mental hospital, where he is mistakenly scheduled for a lobotomy. As he flees the operating room, Cantor passes a gurney and meets the "real patient" for the lobotomy. It is Bert Gordon, a.k.a. "The Mad Russian," a regular and very popular character on Cantor's weekly radio comedy show. Gordon greets Cantor with the Mad Russian's signature line, "How do you do-oo-oo?" See more »
In one of the scenes where Eddie Cantor, dressed as an American Indian, is being chased by other men dressed as American Indians, the film negative has been flipped - you can see the signs on store windows are clearly backward/mirror images of what they are supposed to read. See more »
Dinah, Please tell them that I'm Cantor and I'll double your salary.
I don't know who you are, but if you'll double my salary, you're certainly not Cantor!
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At the end, the words "THE END" are sewn into the curtains. See more »
There's enough bounce and energy in this Warner's showcase to light up a whole city. What great light entertainment for the boys overseas and folks on the homefront (after all, it's 1943). Eddie Cantor really comes through with the plot spark, racing around like the Energizer bunny, and playing dual roles (did they pay him double). Then there's handsome Dennis Morgan and all-American Joan Leslie making an attractive pair to hang the romantic hat on. And get a load of Bogart dropping his tough guy act if for just a moment, plus an off-key Garfield warbling, of all things.
No, the music is nothing to write home about, but the performers are an enthusiastic bunch, so who cares. There's drama queens Lupino and de Haviland as jive-talking hepcats (note they only dance "in place"), and, of course, Warner's reigning drama queen Bette Davis doing something or other in her inimitable style. But I especially like the Hattie McDaniel free-for-all that really does light up the screen. Apparently, however, someone decided to slow things down with Ann Sheridan's static number where the girls sit around like prom princesses. But at least we boys get to ogle them.
Too bad this rouser wasn't sent to Hitler and Tojo. They would have tossed in the towel immediately. Because it's obvious that no country with this kind of energy and dynamism could possibly lose a war. And, yes, it's still great unpolished entertainment, with what looks like a lot of people having a lot of fun.
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