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Tender Comrade (1943)

Approved  |   |  Drama, Romance  |  June 1944 (USA)
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Ratings: 6.2/10 from 534 users  
Reviews: 14 user | 2 critic

Jo Jones, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.



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Complete credited cast:
Jo Jones
Chris Jones
Barbara Thomas
Patricia Collinge ...
Helen Stacey
Manya Lodge
Doris Dumbrowski
Mrs. Henderson
Richard Martin ...
Mike Dumbrowski


Jo Jones, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.

Plot Summary | Add Synopsis


Drama | Romance


Approved | See all certifications »





Release Date:

June 1944 (USA)  »

Also Known As:

Companheiros Adoráveis  »

Company Credits

Production Co:

Show detailed on  »

Technical Specs


(copyright length) | (Turner library print)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Although there was a Los Angeles premiere on December 19, 1943 to make the film eligible for the 1943 Academy Awards - particularly Ginger Rogers' performance, which would fail to be nominated - the movie was not released nationally until June 1944. After the Los Angeles opening, new footage which altered the ending was shot between January 7 and 9 and then on January 20, 1944. See more »


When Chris comes around the hanging laundry in Jo's flashback, we hear the end of his whistling "You Made Me Love You," but his face is totally relaxed, and clearly not that of a person who is whistling. See more »


Barbara Thomas: Maybe I'm not so dumb as you think I am. This whole thing would never have happened in the first place if we'd been minding our own business! We wouldn't have to get a government stamp out every time we wanted to buy a piece of butter if they weren't shipping it all to a lot of foreigners! Why, they're rationing gas right here in California where they got more of the stuff than they can haul away! Even the government doesn't know what its going to do tomorrow! They're going to ration this. ...
See more »


Featured in The Century (1999) See more »


Cradle Song (Brahms Lullaby)
Written by Johannes Brahms
Sung offscreen in German by Mady Christians
See more »

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User Reviews

Propaganda Piece Marred by Occasional Treacly Sequences
19 July 2014 | by (London) – See all my reviews

The plot of this propagandistic tearjerker has more than a passing resemblance to LITTLE WOMEN, even down to the central character's name, Jo Jones (Ginger Rogers). Four women whose spouses are fighting abroad during World War II set up home together and learn how to survive. One of them, Barbara Thomas (Ruth Hussey), loses her husband during the Battle of Midway, while another, Doris Dumbrowski (Kim Hunter) has the pleasure of an unexpected visit from her newly-married spouse Mike (Richard Martin). Meanwhile Jo remembers about her courtship and early married life with Chris (Robert Ryan) in a series of extended flashback sequences. Manya Lodge, their newly-engaged housekeeper (Mady Christians) looks back on her early life in Nazi Germany and contrasts it with the happier existence she enjoys in the United States. Inevitably the film has a sad ending. As might be expected from Dalton Trumbo, who later in the decade was to experience several dealings with the House Un-American Activities Committee (HUAC), the script preaches an egalitarian message, of everyone pulling together in order to defeat the perceived threat of Nazism. While family bereavements are inevitable, individuals should realize that this is a consequence of war, and should therefore be spurred on to fight harder. This is as important on the Home Front as it was on the battlefields: in one climactic scene, Jo berates Barbara, who displays a regrettable tendency towards xenophobia, for putting self-interest above community concerns. At the end Jo realizes the importance of practicing what she preaches, so as to ensure a better world for her newly-born child once the war has ended. Despite the undoubted seriousness of its message, the action of TENDER COMRADE tends to drag a little; there are certain sequences (especially the flashbacks to Jo and Chris' early life) that become so treacly that the plot tends to get lost. Rogers gives a creditable account of herself, although it's noticeable that she manages to go through the film without one strand of her impeccably coiffed hairdo falling out of place, in spite of her responsibilities both inside and outside the home.

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