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Tender Comrade (1943)

Approved | | Drama, Romance | June 1944 (USA)
Jo Jones, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.

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Cast

Complete credited cast:
...
Jo Jones
...
Chris Jones
...
Barbara Thomas
Patricia Collinge ...
Helen Stacey
...
Manya Lodge
...
Doris Dumbrowski
...
Mrs. Henderson
Richard Martin ...
Mike Dumbrowski
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Storyline

Jo Jones, a young defense plant worker whose husband is in the military during World War II, shares a house with three other women in the same situation.

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

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Release Date:

June 1944 (USA)  »

Also Known As:

Companheiros Adoráveis  »

Company Credits

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Technical Specs

Runtime:

(copyright length) | (Turner library print)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Screenwriter Dalton Trumbo and director Edward Dmytryk were known for their left-wing political beliefs - they were among the infamous "Hollywood Ten" blacklisted during the McCarthy-era anti-Communist hysteria after the war - and Ginger Rogers, a staunch Republican, began noticing what she interpreted to be "anti-American" speeches in her dialog. Upon complaining, the speeches were given to other actresses. See more »

Goofs

When Chris comes around the hanging laundry in Jo's flashback, we hear the end of his whistling "You Made Me Love You," but his face is totally relaxed, and clearly not that of a person who is whistling. See more »

Quotes

Barbara Thomas: Hey! Didn't anyone hear what I said?
Jo Jones: What's the trouble?
Barbara Thomas: I think there's another family living in the attic.
Helen Stacey: It's only mice.
Jo Jones: They were here before we were!
Barbara Thomas: Well, why don't they pay their share of the rent?
Doris Dumbrowski: Why don't you guys go to sleep?
Barbara Thomas: Okay. Meow. Me-oww. That'll fix 'em.
See more »

Connections

Featured in Red Hollywood (1996) See more »

Soundtracks

When Johnny Comes Marching Home
(1863) (uncredited)
Written by Louis Lambert
(Pseudonym for Patrick Sarsfield Gilmore)
In the score when Chris leaves by train
See more »

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User Reviews

 
Propaganda Piece Marred by Occasional Treacly Sequences
19 July 2014 | by (London) – See all my reviews

The plot of this propagandistic tearjerker has more than a passing resemblance to LITTLE WOMEN, even down to the central character's name, Jo Jones (Ginger Rogers). Four women whose spouses are fighting abroad during World War II set up home together and learn how to survive. One of them, Barbara Thomas (Ruth Hussey), loses her husband during the Battle of Midway, while another, Doris Dumbrowski (Kim Hunter) has the pleasure of an unexpected visit from her newly-married spouse Mike (Richard Martin). Meanwhile Jo remembers about her courtship and early married life with Chris (Robert Ryan) in a series of extended flashback sequences. Manya Lodge, their newly-engaged housekeeper (Mady Christians) looks back on her early life in Nazi Germany and contrasts it with the happier existence she enjoys in the United States. Inevitably the film has a sad ending. As might be expected from Dalton Trumbo, who later in the decade was to experience several dealings with the House Un-American Activities Committee (HUAC), the script preaches an egalitarian message, of everyone pulling together in order to defeat the perceived threat of Nazism. While family bereavements are inevitable, individuals should realize that this is a consequence of war, and should therefore be spurred on to fight harder. This is as important on the Home Front as it was on the battlefields: in one climactic scene, Jo berates Barbara, who displays a regrettable tendency towards xenophobia, for putting self-interest above community concerns. At the end Jo realizes the importance of practicing what she preaches, so as to ensure a better world for her newly-born child once the war has ended. Despite the undoubted seriousness of its message, the action of TENDER COMRADE tends to drag a little; there are certain sequences (especially the flashbacks to Jo and Chris' early life) that become so treacly that the plot tends to get lost. Rogers gives a creditable account of herself, although it's noticeable that she manages to go through the film without one strand of her impeccably coiffed hairdo falling out of place, in spite of her responsibilities both inside and outside the home.


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