The wife of an alcoholic writer must take a job as a taxi driver to make ends meet. A young man she picks up as a fare befriends her, but when her husband is found murdered, the police suspect she and her new "friend" committed the murder.
Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful ... See full summary »
Barry Sulivan is a cynical gangster who controls the Neptune Beach waterfront. He runs a numbers racket with the local soda shop owner: the police are in his pocket and the local hoods are on his payroll.
Two young office workers working at the same large firm secretly marry and defy their employer's policy against coworker fraternization. When the marriage is discovered, Margy (Turner) is ... See full summary »
Political corruption is vividly depicted as a ruthless WWI veteran takes almost complete control of a state with the help of a crooked lawyer. The film is enhanced by John Payne's persuasive performance as "The Boss."
In this remake of 1941's "You Belong to Me," a young millionaire, Peter J. Kirk, Jr., fails in all of his attempts to emulate his successful father. He meets and marries Dr. Heln Hunt, who ... See full summary »
Although young and beautiful, schoolteacher Anne Gladden fears a dull future. She finally decides to take a walk on the wild side, splurging on some fashionable new clothes and setting off ... See full summary »
John 'Dusty' King,
Screenwriter Dalton Trumbo and director Edward Dmytryk were known for their left-wing political beliefs - they were among the infamous "Hollywood Ten" blacklisted during the McCarthy-era anti-Communist hysteria after the war - and Ginger Rogers, a staunch Republican, began noticing what she interpreted to be "anti-American" speeches in her dialog. Upon complaining, the speeches were given to other actresses. See more »
When Chris comes around the hanging laundry in Jo's flashback, we hear the end of his whistling "You Made Me Love You," but his face is totally relaxed, and clearly not that of a person who is whistling. See more »
Propaganda Piece Marred by Occasional Treacly Sequences
The plot of this propagandistic tearjerker has more than a passing resemblance to LITTLE WOMEN, even down to the central character's name, Jo Jones (Ginger Rogers). Four women whose spouses are fighting abroad during World War II set up home together and learn how to survive. One of them, Barbara Thomas (Ruth Hussey), loses her husband during the Battle of Midway, while another, Doris Dumbrowski (Kim Hunter) has the pleasure of an unexpected visit from her newly-married spouse Mike (Richard Martin). Meanwhile Jo remembers about her courtship and early married life with Chris (Robert Ryan) in a series of extended flashback sequences. Manya Lodge, their newly-engaged housekeeper (Mady Christians) looks back on her early life in Nazi Germany and contrasts it with the happier existence she enjoys in the United States. Inevitably the film has a sad ending. As might be expected from Dalton Trumbo, who later in the decade was to experience several dealings with the House Un-American Activities Committee (HUAC), the script preaches an egalitarian message, of everyone pulling together in order to defeat the perceived threat of Nazism. While family bereavements are inevitable, individuals should realize that this is a consequence of war, and should therefore be spurred on to fight harder. This is as important on the Home Front as it was on the battlefields: in one climactic scene, Jo berates Barbara, who displays a regrettable tendency towards xenophobia, for putting self-interest above community concerns. At the end Jo realizes the importance of practicing what she preaches, so as to ensure a better world for her newly-born child once the war has ended. Despite the undoubted seriousness of its message, the action of TENDER COMRADE tends to drag a little; there are certain sequences (especially the flashbacks to Jo and Chris' early life) that become so treacly that the plot tends to get lost. Rogers gives a creditable account of herself, although it's noticeable that she manages to go through the film without one strand of her impeccably coiffed hairdo falling out of place, in spite of her responsibilities both inside and outside the home.
1 of 6 people found this review helpful.
Was this review helpful to you?