Now poor, Sam Bennett was a rodeo star in his younger days. When Roy learns Sam told his daughter he owned a ranch and she is arriving for a visit, Roy has him pose as the owner of his ... See full summary »
Now poor, Sam Bennett was a rodeo star in his younger days. When Roy learns Sam told his daughter he owned a ranch and she is arriving for a visit, Roy has him pose as the owner of his ranch. Learning her father and Roy are partners, she forces them to sign a legal document. They plan to tear it up when she leaves but using her power of attorney, she sells her fathers half of the ranch. Written by
Maurice VanAuken <email@example.com>
I loved the opening scene where he is playing himself in the children's hospital ward. Every detail, even down to the "assistant" who is trying to hurry him along, they are running late on their schedule. it seems almost like today's reality TV, only actually REAL. He seems to genuinely like kids, and it shows through, no acting. (obviously, since he either had or adopted so many of them in real life.) He seems to have been a very nice guy, bringing his horse and all into the children's ward room and getting Trigger to do tricks. Then it flashes back to "the past" where he was a rodeo rider etc and plays out the story, where once again, he plays a decent guy trying to help out a friend; from there it pretty much descends into formulaic B Western, although I did notice the nod to the changing role of women, the friend's daughter is a single, modern, rather pushy girl who works in New York as a bookkeeper for a company that does a "Half million dollars a month turnover!"
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