In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ...
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In 1917, three shepherd children living just outside Fatima, Portugal have visions of a lovely lady in a cloud. The anticlerical government wishes to squelch the Church; reports of ... See full summary »
In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the town, and transforms their lives. Written by
John Oswalt <firstname.lastname@example.org>
This was Jennifer Jones' comeback film, her first under her new screen name after previously acting as Phyllis Isley. She had taken several years off to get married and have children, later getting divorced. See more »
When Bernadette and the other girls go to gather wood, the other girls cross the stream after removing their shoes and socks, at the same time telling Bernadette not to wade in the stream because the water is too cold and she is sickly. Later, she does, and the water is warm. All three are barefoot. However, when they grab their bundles of wood to run home, Bernadette has her shoes and socks back on. See more »
Bernadatte sometimes to express certain things in a letter is difficult, so, wherever may you go, if ever you need me, just send me this.
[hands her a holy card]
I shall understand and come immediately.
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The opening titles include "For those who believe in God, no explanation is necessary. For those who do not believe in God, no explanation is possible." See more »
This is probably the best film on a religious topic ever made. Whereas many other films of this type wallow in sentiment which is a substitute for genuine reverence, this film is able to underplay the emotions and thus gives its subject a great deal of dignity. Jennifer Jones is totally convincing as the naive innocent who has an incredibly extraordinary experience which changes her life as well as the lives of everyone she touches and the lives of everyone who hears of her. The rest of the cast is also superb, including Lee J. Cobb as the careful doctor, Vincent Price as the petty politician, Charles Bickford as the stern priest, and Gladys Cooper as the envious nun. The FX are tender instead of dazzling, and thus they convince in a way that many FX totally miss. The settings, atmosphere, music, and cast add up to a truly moving and profound experience that few other films have achieved.
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