In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ... See full summary »
Against all odds Father Flanagan starts "Boys' Town" after hearing a convict's story. Whitey Marsh comes there. He runs away but, hungry, returns. He runs away again but, when friend Pee ... See full summary »
In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives. Written by
John Oswalt <firstname.lastname@example.org>
Lee J. Cobb (Dr. Dozous) and Roman Bohnen (Bernadette's father) were both members of the famous Group Theater (1931-1940), the first ensemble in America to put Konstantin Stanislavski's acting theories into practice. They often performed together, most notably in the plays of Clifford Odets. Both actors were accused of being members of the Communist Party. Bohnen was blacklisted, but Cobb named names and was eventually exonerated by the House Un-American Activities Committee. See more »
One of the reports to the Commision is dated February 31,1860. See more »
Bishop of Tarbes:
The Commission can render only one of three decisions. First: "You're an impostor, little Soubirous. Away with you to a home of juvenile delinquents". Second: "You're a madwoman, little Soubirous. Away with you to an asylum". Third...
"You are the rarest of mortal beings, little Soubirous".
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The credits say "Introducing Jennifer Jones as Bernadette", even though Jones had already appeared in several films under her real name, Phyllis Isley. See more »
I'm not Catholic, but this film makes you want to believe the whole thing. I've never been so moved by a story demonstrating the incredible power of innocence and simplicity as performed by Jennifer Jones in this faithful adaptation of the true story of the now-canonized Bernadette Soubirous. Beyond this story, the sets, performances, narrative flow, and in particular, the heavenly-inspired music of Alfred Newman is nothing short of transporting. Some may find the movie overlong, but I cherished every character and angle to the story--much like enjoying the book with all of its detail. This effort demonstrates more than just the quality of the golden age of cinema and 20th Century Fox, but it adds a cast and crew clearly inspired to tell this true story like no other has been told before or since.
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