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The Song of Bernadette (1943)

 -  Biography | Drama  -  April 1945 (USA)
7.7
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Ratings: 7.7/10 from 3,834 users  
Reviews: 65 user | 36 critic

In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all ... See full summary »

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Title: The Song of Bernadette (1943)

The Song of Bernadette (1943) on IMDb 7.7/10

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Won 4 Oscars. Another 4 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Roman Bohnen ...
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Jeanne Abadie
Patricia Morison ...
Aubrey Mather ...
Charles Dingle ...
Edith Barrett ...
Croisine Bouhouhorts
Sig Ruman ...
Louis Bouriette
Blanche Yurka ...
Ermadean Walters ...
Marie Soubirous
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Storyline

In 1858 France, Bernadette, an adolescent peasant girl, has a vision of "a beautiful lady" in the city dump. She never claims it to be anything other than this, but the townspeople all assume it to be the virgin Mary. The pompous government officials think she is nuts, and do their best to suppress the girl and her followers, and the church wants nothing to do with the whole matter. But as Bernadette attracts wider and wider attention, the phenomenon overtakes everyone in the the town, and transforms their lives. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

Here is greatness . . . wonder . . . and majesty . . . no human words can describe!

Genres:

Biography | Drama

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

|

Release Date:

April 1945 (USA)  »

Also Known As:

Franz Werfel's The Song of Bernadette  »

Box Office

Budget:

$2,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (copyright length)

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Henry King himself directed the screen tests, instructing his actresses to look beyond the camera at a shining light. Jennifer Jones was the immediate front runner, as - according to King - she didn't just look, she saw. See more »

Goofs

When Bernadette's sisters hike their skirts to cross the river, one of them is obviously wearing 1940s panties. See more »

Quotes

Father Pomian: [speaking metaphorically] Last night when I came here, it was very dark. It's much lighter now.
See more »

Crazy Credits

The credits say "Introducing Jennifer Jones as Bernadette", even though Jones had already appeared in several films under her real name, Phyllis Isley. See more »

Connections

Featured in 20th Century-Fox: The First 50 Years (1997) See more »

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User Reviews

 
One sublime scene
11 April 2005 | by (Lincoln, NE) – See all my reviews

The weighty subject matter and emotional performances overshadow the film's flaws, which are numerous. Characters and events are not adequately introduced, leaving the viewer with a persistent, though not overwhelming, confusion. It runs a little long, and at times loses focus. But "The Song of Bernadette" has much to redeem it. This is true black and white cinematography, and Henry King uses highly effective lighting techniques to enhance his actors' performances. The bright lighting and soft focus on Jennifer Jones, for example, makes her angelic pose of peace believable.

One scene near the end of the film is utterly beautiful, and truly makes the movie. It takes place at a convent after Bernadette has been accepted as a nun. Sister Marie Vauzous, who has doubted Bernadette the entire film, stands over her in a pose of authority and accuses her of trying to get attention. Sister Marie is lit from an angle at sharp focus, which accentuates the lines and imperfections of her face as she asks for "proof" and laments about her own suffering. Meanwhile, Bernadette is lit straight on with a soft focus as usual, and the smoothness of her peaceful, humble face is perfect and divine. She agrees with Sister Marie that she is "a hundred times more worthy" than herself, all the while hiding the true nature of her own suffering. It is at this point that the Christian theme of salvation through suffering which has meandered its way through the film really makes its point, and it is a genuinely moving moment.


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