Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. One of them is ... See full summary »
Light bio-pic of American Broadway pioneer Jerome Kern, featuring renditions of the famous songs from his musical plays by contemporary stage artists, including a condensed production of ... See full summary »
Charlie Reader is a successful theater agent. He is also successful with young ladies. One day he is visited by his old friend Joe, married with three children. Joe falls in love with ... See full summary »
Terry Baxter is a never-say-die Hollywood newcomer from Waterfall Kansas, determined to make it big. And does she have talent. Filled, of course, with lots of musical numbers that showcase her many talents.
Frank Sinatra plays Joe E. Lewis, a famous comedian of the 1930s-50s. When the movie opens, Lewis is a young, talented singer who performs in speakeasies. When he bolts one job for another,... See full summary »
American and Japanese soldiers, stranded on a tiny Pacific island during World War II, must make a temporary truce and cooperate to survive various tribulations. Told through the eyes of ... See full summary »
Chuck Redwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not ... See full summary »
Beverly Ross moderates an 5:30 am radio show with swing music, dedicated to the local servicemen. Two buddies of her brother have a chance to meet her and both fall in love. One of them is a wealthy sponser, the other used to be his chauffeur, but before she can decide, which of them she likes more, the soldiers have their marching orders and are away to their destination. Written by
Stephan Eichenberg <firstname.lastname@example.org>
This is a truly awful "B" movie. It is witless and often embarrassing. The plot, the basic "making into show business" routine, is almost nonexistent. In fact, the film is merely an excuse to push the war effort and highlight some popular music groups of 1942, including the Mills Brothers, Count Basie, Duke Ellington, Bob Crosby, and Freddy Slack. Each group gets about the standard three minutes, the exception being the Mills Brothers, who for some reason warranted two numbers. Ann Miller doesn't get to dance until the last couple of minutes of the film, and she has little to do but strut her stuff amid a barrage of patriotic propaganda.
The most interesting moment in the film, in my view, occurred in the Duke Ellington segment. The band appears to be playing in a train, standing in awkward positions. (In the deep South at the time, the band was segregated in railroad cars when traveling.) Johnny Hodges is seen next to Duke, and Harry Carney may also be identified. In the last moments of the film, trumpeter/violinist Ray Nance rushes down the aisle to the camera and does an "uncle Tom," bugging his eyes and wiggling his head the way Willy Best did in many films. For modern viewers, especially jazz fans, this homage to segregation is sad indeed. Some movies go best unseen.
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