The last of Tex Avery's variations on 'Red Hot Riding Hood' (1943), in which the country wolf visits his city cousin, who tries to teach him the rudiments of civilised behaviour when ... See full summary »
Ovide Plouffe has married Rita. She still tries to attract other men even after their marriage. Unhappy Ovide feels for Marie - a young French woman he had met. But his catholic background ... See full summary »
The film's soundtrack is an original musical composition produced with synthetic sound - through photographing unusual geometric shapes and running them through an optical sound head. The ... See full summary »
The characters of the fairy-tale absolutely refuses to do the tale in the same old way. Instead Little Red Riding Hood is transformed to the hottest singer in town, the wolf becomes The Wolf and grandma turns into a man chaser. Written by
Reidar Lyng <email@example.com>
Director Tex Avery was famous for his off the wall cartoons, which were aimed more toward adult audiences than children. Here, however, he pushed the limits of what was considered acceptable, and in several places the film was toned down in order to satisfy the U. S. censors. Original copies were kept and stored away. Shortly afterwards, the army visited MGM studio to view a propaganda movie. Upon seeing this cartoon, they requested (and received) special uncut 16mm prints to send to the soldiers overseas. See more »
Fly away with me to the Riviera. It will be such a beautiful thing. I will give you diamonds, pearls, ermine. I will even give you a new set of white sidewall tires.
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Tex Avery's first excursion into animated sexual frenzy is his best, ranking as one of his three greatest cartoons (the other two, in case you're wondering, are "Who Killed Who?," also 1943, and "King-Size Canary," 1947). Although Avery would explore this theme in five more cartoons (or six or seven, depending on whether you want to count "Big Heel-Watha," 1944, and/or "Little 'Tinker," 1948; your call), none of them quite reach the heights of the original. (At least not in overall effect: Tex's single most outrageous gag of this sort is in the long legally undistributed "Uncle Tom's Cabana," 1947, and involves a cash register hidden under the aroused male's coat. Nuff said!) Some have suggested that having the Wolf's pursuit by Grandma follow the raging libido scene was a mistake in pacing, but it all works for me. It's too bad Avery didn't complete the opening misdirection by having the FIRST title card read "Little Red Riding Hood," but it goes by so quickly, and is drawn so conservatively that it doesn't really hurt. Besides, is there a context in which this film could be realistically expected to be shown where the audience would be truly surprised when it doesn't turn out to be a straight version of the fairy-tale?
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