| Guy Kibbee | ... | Ulysses Bradford | |
| Lee Tracy | ... | Griff Thompson | |
| Gloria Dickson | ... | Edwina Stephens | |
| Otto Kruger | ... | Howard Raskin | |
| Victor Jory | ... | Oscar Trent | |
| rest of cast listed alphabetically: | |||
| Don Beddoe | ... | Pringle (uncredited) | |
| Edmund Cobb | ... | Process Server (uncredited) | |
| Eddie Laughton | ... | Reporter (uncredited) | |
| Douglas Leavitt | ... | Whiffle (uncredited) | |
| Ivan Miller | ... | Man on Dais (uncredited) | |
| Larry Parks | ... | Jerry Purvis (uncredited) | |
| Lee Phelps | ... | Policeman (uncredited) | |
| Frank Sully | ... | Mack Gibbons (uncredited) | |
| Minor Watson | ... | John Cleveland Carter (uncredited) | |
| Rex Williams | ... | Chris Barker (uncredited) | |
| Frank Yaconelli | ... | Tony Angelo (uncredited) | |
Directed by | |||
| Lew Landers | |||
Writing credits | ||
| Robert Hardy Andrews | (screen play) (as Robert D. Andrews) | |
| Samuel Fuller | (story) (as Sam Fuller) | |
Produced by | |||
| Leon Barsha | .... | producer | |
Original Music by | |||
| Paul Sawtell | (uncredited) | ||
Cinematography by | |||
| John Stumar | |||
Film Editing by | |||
| Mel Thorsen | |||
Art Direction by | |||
| Lionel Banks | |||
Set Decoration by | |||
| Robert Priestley | |||
Second Unit Director or Assistant Director | |||
| George Rhein | .... | assistant director | |
Art Department | |||
| Paul Murphy | .... | associate art director | |
Sound Department | |||
| Lambert E. Day | .... | sound (as Lambert Day) | |
Music Department | |||
| Morris Stoloff | .... | musical director (as M.W. Stoloff) | |
| John Leipold | .... | composer: stock music (uncredited) | |
| Leo Shuken | .... | composer: stock music (uncredited) | |
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| Smith of Minnesota | Men Without Souls | I Was a Convict | Babies for Sale | Streets of New York |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The Power of the Press is one the many anti-isolationist movies to come out in the year 1943. However when one watches this hard impact melodrama you can help but feel that director Lew Landers put too much propaganda into the film. If handled better it could have been one of the greatest cinema masterpieces of all time. Otto Kruger was so badly panned by critics for his performance in this movie that his career never really recovered.