An animated version of Gaston Leroux's everlasting tale of "The Phantom of the Opera". Christine has been acting strange the last days: she first of all got the lead part on a new opera and... See full summary »
Sándor Korvin, the conductor of the Budapest Opera House tutors his wife Elena as Marguerite in FAUST. She drowns herself after a bad review rigged by the sinister Baron Hunyadi, whose ... See full summary »
Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out. Written by
Rod Crawford <email@example.com>
In the scene where the three heroes escape the Phantom's crumbling lair (which involve the three characters running from a cave in) only Susanna Foster actually appeared in the scene, the two male stars were deemed too important to film such a risky scene and had stunt doubles. See more »
The use of a stunt-double for Claude Rains at the climactic cave-in is very obvious! The double has a bigger physique than Rains, and curly hair. See more »
Mademoiselle, may I speak to you for a minute?
Why, of course.
You weren't on the stage tonight for the third act curtain call.
Everyone seems to notice. It's really quite flattering.
Why weren't you there?
[Christine is puzzled]
Forgive me, but I have been a part of the Opera for so long. Everybody, everything connected with it, I feel it is so much a part of my life.
[Christine pauses, then smiles]
Yes, well, Monsieur Villeneuve is waiting for you.
You weren't ill, were you?...
[...] See more »
It's perfectly true that this version isn't Lon Chaney and is watered-down Leroux, but it still has excellent performances and - this was during WW II remember - extraordinarily beautiful production values which resulted in Oscars for Color Cinematography and Art/Set Decoration. I've loved this film since I was a kid, even though back then I had to endure black-and-white telecasts because the local CBS affiliate was unable to obtain a color print that was up to their standards - years later I was lucky enough to see it - twice! in a theatre - as gorgeous as the color is on the DVD, it was even more breathtaking on the big screen. The extra features (the documentary "Phantom Unmasked", which includes a rare interview with the elusive Susannah Foster, and the audio commentary) have only increased my pleasure in watching this film over and over again.
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