The corrupt Lord Ambrose D'Arcy (Michael Gough) steals the life's work of the poor composer Professor L. Petrie. (Herbert Lom). In an attempt to stop the printing of music with D'Arcy's ... See full summary »
Edward de Souza
In Spain, Leon is born on Christmas day to a mute servant girl who was raped by a beggar. His mother dies giving birth and he is looked after by Don Alfredo. As a child Leon becomes a ... See full summary »
A wealthy San Francisco socialite pursues a potential boyfriend to a small Northern California town that slowly takes a turn for the bizarre when birds of all kinds suddenly begin to attack people there in increasing numbers and with increasing viciousness.
Sixties couples Michael and Donna and Paul and Erica become involved with the intense Count Yorga at a Los Angeles séance, the Count having latterly been involved with Erica's just-dead ... See full summary »
Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out. Written by
Rod Crawford <firstname.lastname@example.org>
Despite his fearsome reputation Susanna Foster remembered 'Jack Pierce' as being a sweet caring man that took the time to teach her how to apply her makeup to best suit her features, despite the fact that he was not assigned to work with her. Any time that he saw her where she was not made up as he had suggested he would pretend to be mad and tell her off, saying "You are not doing what I said". See more »
When Christine takes the mask off from Phantom's face, we see that his scar reaches the low area of his right cheek, even the right eyelid is slightly fallen. But before that during the entire film, we never see a single mark of the scar on the uncover area of the Phantom's face, not even the fallen eyelid through the mask. See more »
Mademoiselle, may I speak to you for a minute?
Why, of course.
You weren't on the stage tonight for the third act curtain call.
Everyone seems to notice. It's really quite flattering.
Why weren't you there?
[Christine is puzzled]
Forgive me, but I have been a part of the Opera for so long. Everybody, everything connected with it, I feel it is so much a part of my life.
[Christine pauses, then smiles]
Yes, well, Monsieur Villeneuve is waiting for you.
You weren't ill, were you?...
[...] See more »
Not really a horror movie, more a romantic melodrama. Lavishly produced and Claude Rains is excellent.
Anybody approaching 'Phantom Of The Opera' as a horror movie will probably be disappointed, but if you look upon it as a romantic melodrama it's pretty entertaining. The sets (mostly recycled from the twenties version) are lavish, the music is strong and the performances are good, especially the wonderful Claude Rains ('The Invisible Man', 'Casablanca', 'Notorious') who is excellent (as always). The rest of the cast includes songbirds Nelson Eddy and Susanna Foster, the late Hume Cronyn in a bit part, and a nice cameo from Fritz Leiber (the father of the famous science fiction and fantasy writer Fritz Leiber, Jr) as Franz Liszt. 'Phantom Of The Opera' is far from my favourite Universal horror movie but I still enjoyed it and it's worth watching, though I think in many ways the Hammer remake in the 1960s starring Herbert Lom is a better movie.
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