An animated version of Gaston Leroux's everlasting tale of "The Phantom of the Opera". Christine has been acting strange the last days: she first of all got the lead part on a new opera and... See full summary »
Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out. Written by
Rod Crawford <firstname.lastname@example.org>
The original script revealed Claudin to be Christine's father, who abandoned her and her mother in order to pursue a musical career. When this was excised from the final film, it left Claudin's obsession with Christine unexplained. See more »
(at around 40mins) There is an prominent cymbal crash in the orchestral score which happens at about a second before the actor actually clashes his pair of cymbals. See more »
[Claudin is talking to Christine as they descend into the catacombs beneath the Opera]
See? Didn't I tell you it was beautiful? You didn't know we had a lake all to ourselves, did you?
[Christine covers her face and sobs]
They've poisoned your mind against me. That's why you're afraid. Look at your lake, Christine. You'll love it here when you get used to the dark. And you'll love the dark, too. It's friendly and peaceful. It brings rest and relief from pain. It's right under the Opera. The music...
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A lot was obviously put into the operatic scenes, which were probably spectacular back in 1943. However, more effort could have been put into displaying the motives and madness of the phantom. The light hearted comedy attempts of the two courters of Christine Dubois seems out of place and takes the final edge of any suspense in the film.
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