Count Alucard (read his name backwards) finds his way from Budapest to the swamps of the Deep South; his four nemeses are a medical doctor, a university professor, a jilted fiancé and the woman he loves.
Lon Chaney Jr.,
Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out. Written by
Rod Crawford <email@example.com>
(at around 40mins) There is an prominent cymbal crash in the orchestral score which happens at about a second before the actor actually clashes his pair of cymbals. See more »
[Christine has left Raoul and Anatole in her dressing room while she greets a crowd of admirers]
Would you join me for a bit of supper at the Cafe de l'Opera?
With pleasure, monsieur.
Think we can get through this crowd?
Certainly. After all, who'd pay any attention to a baritone and a detective?
See more »
A lot was obviously put into the operatic scenes, which were probably spectacular back in 1943. However, more effort could have been put into displaying the motives and madness of the phantom. The light hearted comedy attempts of the two courters of Christine Dubois seems out of place and takes the final edge of any suspense in the film.
9 of 13 people found this review helpful.
Was this review helpful to you?