Count de Chagnie has discovered Christine's singing talent on a market place and sent her to his friend Carriere, the director of the Parisian opera. However just when she arrives ... See full summary »
Sándor Korvin, the conductor of the Budapest Opera House tutors his wife Elena as Marguerite in FAUST. She drowns herself after a bad review rigged by the sinister Baron Hunyadi, whose ... See full summary »
An animated version of Gaston Leroux's everlasting tale of "The Phantom of the Opera". Christine has been acting strange the last days: she first of all got the lead part on a new opera and... See full summary »
Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary "phantom" whom none can find in the mazes and catacombs. But both of Christine's lovers have plans to ferret him out. Written by
Rod Crawford <firstname.lastname@example.org>
The auditorium and stage of the Paris Opera House seen here was the same set built for the 1925 version. It still stands at Universal Studios today, and has been used for countless other productions, including Thoroughly Modern Millie (1967) and The Sting (1973). It is the oldest remaining film set in the world. See more »
When Anatole is pursuing the Phantom over the catwalk, the ladder wobbles in long shots but is very stable when the actors are in close-up. See more »
[Claudin is talking to Christine as they descend into the catacombs beneath the Opera]
See? Didn't I tell you it was beautiful? You didn't know we had a lake all to ourselves, did you?
[Christine covers her face and sobs]
They've poisoned your mind against me. That's why you're afraid. Look at your lake, Christine. You'll love it here when you get used to the dark. And you'll love the dark, too. It's friendly and peaceful. It brings rest and relief from pain. It's right under the Opera. The music...
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This 1943 version is a remake of the 1925 version from the same studio (Universal). Probably the most vivid and effective use of Technicolor I have seen. Lush photography, great crane shots and an impressive Paris Opera House! The operatic scenes are very well done--and they are important to the story line. Very entertaining, especially since there is no graphic violence or gore--except the Phantom's face. Nelson Eddy is in top voice. One of Hollywood's most versatile actors, Claude Rains is remarkable in the lead role. Just the year before he was the memorable Prefect of Police in "Casablanca." This production is mounted first class in every way.
The DVD release is a fantastic transfer from an original old Technicolor master.
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