A cattle-vs.-sheepman feud loses Connie Dickason her fiance, but gains her his ranch, which she determines to run alone in opposition to Frank Ivey, "boss" of the valley, whom her father ... See full summary »
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Caterina finds out that her husband Peter Tzar of Russia, is plotting to kill her. She sets Count Orlov free from prison, Peter's sworn enemy, becomes empress of Russia and leads the ... See full summary »
In Oregon Country, 1868, several tribes of Native Americans have been placed on a reservation north of the Snake River. Here Doctor Holden has built a church, and many of the tribes have ... See full summary »
The highway to hell runs straight through a college campus in this compelling thriller about a killer truck. After helping a pretty co-ed out of a nasty domestic situation, Jim Travis gives... See full summary »
Sidney J. Furie
Casper Van Dien,
The continuation of Friends (1971). The story begins three years after Paul Harrison is forced to leave Michelle Latour and their baby, Sylvie, alone in the Camargue after the police ... See full summary »
La storia del fascismo dalle origini del 1919 fino al '22 e la marcia su Roma vista attraverso gli occhi di Domenico Rocchetti e Umberto Gavazza. Il primo romano, sbandato dopo la guerra, ... See full summary »
When "Fritz" (played by Lloyd Bridges) is speaking to his employer, he takes out a cigarette case, offers one to him, then removes one for himself. He taps it on the case. In the next instant, when the camera changes to the angle behind him, the cigarette is already in his mouth. See more »
I can bring you much information, for which you will pay me many shillings.
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The other user comment misses the point of this film entirely; Passport to Suez is not supposed to be a serious historical examination of what might have happened had the Nazis gained control of the Suez Canal, but a spy/mystery/adventure with some comedy laced in.
Warren William's final turn as Michael Lanyard is a real winner, thanks to a complex and witty script and the direction of the great Andre De Toth. The Lone Wolf films are always entertaining (with the exception of The Lone Wolf Spy Hunt, which was nearly ruined by Ida Lupino) but Passport to Suez has a classier feel than any of its predecessors. The camera-work in the film is moody and atmospheric, William's first meeting with Mr. X is very memorable, and one murder scene that takes place on an Alexandrian street is positively stunning, something Hitchcock needn't have been ashamed of. The mystery is intricate and well-meshed, and the script features a memorable array of colorful characters--Gavin Muir's friendly and urbane Nazi operative, Sheldon Leonard's slick nightclub owner, Anne Savage's femme fatale, Sig Arno's eccentric stool pigeon, Frederic Worlock's uptight British intelligence officer, Jay Novello's sleazy spy, and especially Lou Merrill's phlegmatic but deadly double-agent.
William himself handles the atypical seriousness of the plot perfectly and reins in his usual enjoyable hamminess, while Eric Blore provides impeccable comedy relief(his reaction to the mysterious phone caller at the beginning of the picture is hilarious--I feel that way with certain telemarketers).
The propaganda in the film is mercifully minuscule; it has none of the protracted speeches that popped up in the earlier Lone Wolf film Counter-Espionage. Aside from Warren's remark to Muir about the "New European Order having no room for sentiment," propaganda is bypassed for sheer entertainment.
A worthy finale to William's illustrious stint as the Lone Wolf.
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