A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot. Written by
David Levene <D.S.Levene@durham.ac.uk>
Although made in 1941, this sat on the shelf for two years as 20th Century Fox had no idea how to market a film with such inflammatory politics. See more »
Juan Martinez throws a knife that lands right next to Farnley's foot. If you look closely you can see a thin wire attached to the end of the knife, indicating that first the scene was filmed with the knife being jerked backwards by the wire, then the film was played in reverse, to give the desired illusion of the knife landing at Farnley's feet. See more »
I saw your face. It was the face of a depraved, murderous beast. Only two things ever meant anything to you: power and cruelty. You can't feel pity. You can't even feel guilt. You knew they were innocent, but you were crazy to see them hanged. And to make me watch it. I could've stopped you with a gun, just as any other animal can be stopped. But I couldn't do it because I'm a coward. Aren't you glad you made me go? Weren't you proud of me? How does it feel to have begot a weakling, Major? Does...
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At the end of the credits an ad for U.S. war savings bonds is shown on the screen. It says that "15,000 movie theatres are now selling U.S. war savings stamps and bonds! Buy yours in this theatre." See more »
This small, quiet western is big and loud when it comes to message. Beyond being a great film, written and directed brilliantly, with performances to match, it's a cautionary tale of the dangers of "group-think". Which we've all witnessed and been the victims of today in what happened with this misinformation amassed by the FBI and CIA in the War On Terror. A particularly brilliant scene is when henry Fonda reads a letter written by one of the men wrongly hanged at Ox Bow. The director obscures most of his face as he reads the letter so that the words of the soon-to-be dead man resound. The father/son relationship of two of the killers is so poignant. For an old-time western, this film is very today, very modern. The book which inspired the film is just as good. And the film is true to that book.
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