A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot. Written by
David Levene <D.S.Levene@durham.ac.uk>
Henry Fonda was generally unhappy with the quality of the films he had to do while under contract with 20th Century Fox. This was one of only two films from that period that he was actually enthusiastic about starring in. The other was The Grapes of Wrath (1940). See more »
At the very end of the movie when Art and Gil get on their horses, you can see that Art steps up on something with his right foot, before he puts his other foot into the stirrup. In the next shot there is nothing for him to have stepped on. See more »
Other men with families have had to die for this sort of thing. It's too bad, but it's justice.
Justice? What do you care about justice? You don't even care whether you've got the right men or not. All you know is you've lost something and somebody's got to be punished.
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At the end of the credits an ad for U.S. war savings bonds is shown on the screen. It says that "15,000 movie theatres are now selling U.S. war savings stamps and bonds! Buy yours in this theatre." See more »
Before "12 Angry Men" there was "The Ox-Bow Incident," a bleaker and never less than fascinating exploration of the nature of mob violence. Unlike "12 Angry Men," this film has no clear-cut heroes. It takes place in a more primitive, wilder time and location, and the principal question at the crux of this movie's conflict is whether or not three suspected cattle thieves should be punished without due legal process. A small group is in favor of letting the frontier town sheriff handle the situation, while a much larger group smells only blood (and in some cases are motivated by personal vengeance) and convince themselves of the suspects' guilt without listening to any of the evidence. It's quite a frightening movie in its own way, and it has a stark look at odds with the average studio film being churned out at the time (1943). Henry Fonda is quite good, as usual, in the closest thing the movie has to a main character, but it seems pointless to single him out in what is obviously such an ensemble effort, and in a movie that only lasts a mere 75 minutes or so and has such a large cast, each actor manages to color his/her character with delightful details, sometimes with no more than a single line of dialogue or one reaction shot.
"The Ox-Bow Incident" is a fantastic film. I don't think it's well-remembered now, but I'm thrilled to see it on DVD and hope that it will be rediscovered.
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