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The Ox-Bow Incident (1943)

 -  Crime | Drama | Western  -  21 May 1943 (USA)
8.1
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Ratings: 8.1/10 from 13,859 users  
Reviews: 113 user | 54 critic

When a posse catches up three men suspected of killing a local farmer, some of them become strongly divided on whether or not to lynch the men.

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(written for the screen by), (from the novel by)
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Title: The Ox-Bow Incident (1943)

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Nominated for 1 Oscar. Another 4 wins. See more awards »
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Cast

Cast overview, first billed only:
...
...
Mary Beth Hughes ...
Rose Mapen
...
William Eythe ...
Gerald Tetley
...
Art Croft (as Henry Morgan)
...
Jenny Grier
Matt Briggs ...
Judge Daniel Tyler
...
Arthur Davies
Frank Conroy ...
...
Jeff Farnley
Paul Hurst ...
Monty Smith
Victor Kilian ...
Darby
Chris-Pin Martin ...
Poncho
Willard Robertson ...
Sheriff Risley
Edit

Storyline

Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot. Written by David Levene <D.S.Levene@durham.ac.uk>

Plot Summary | Plot Synopsis

Taglines:

Tough! True! Terrifying! See more »

Genres:

Crime | Drama | Western

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

21 May 1943 (USA)  »

Also Known As:

Conciencias muertas  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Henry Fonda always regarded this as one of his favorite films. See more »

Goofs

Gil Carter (Fonda) pulls his gun out twice when the mob first arrives at the Ox-Bow. See more »

Quotes

Gil Carter: [Gil and Art discuss their uneasiness about certain members of the posse] Besides, I like to pick my own bosses.
Art Croft: Whether we picked 'em or not, we sure got 'em.
Gil Carter: That's what I don't like. That Smith, and Bartlett, shootin' off their mouths... Farnley... and that renegade Tetley, struttin' around in his uniform pretending he's so much. He never even *saw* the South until after the war, and then only long enough to marry that kid's mother and get run outta' the place by her folks.
Art Croft: I figured there ...
[...]
See more »

Crazy Credits

At the end of the credits an ad for U.S. war savings bonds is shown on the screen. It says that "15,000 movie theatres are now selling U.S. war savings stamps and bonds! Buy yours in this theatre." See more »

Connections

Featured in Big Guns Talk: The Story of the Western (1997) See more »

Soundtracks

Great Camp Meeting in the Promised Land
(uncredited)
Traditional Negro Spiritual
Performed a cappella by Leigh Whipper
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Timeless.
22 November 2003 | by See all my reviews

Shall we call this western?This is so moving,so harrowing and so tragic it would be a sacrilege.With a running time of 75 min,William Wellmann's work runs the whole gamut of emotions:hatred,contempt,madness,despair,indifference,you name it.Besides,the script is wonderfully written,depicting with a gutsy realism the supporting characters :the old man,the terrifying shrew,the renegade officer,his coward son -but who 's the real coward in the end?-,the Mexican,all are unforgettable.Between the lines ,there are secret plots which could provide the substance for at least four other movies.

Oddly,star Henry Fonda is nothing but a witness-except for the last sequences -and it's Dana Andrews' extremely harrowing performance which will haunt the viewers -as well as his hangmen- long after the ending.Andrews' portrayal is so moving that he almost outshadows the rest of the stellar cast,not a small feat:a western hero has rarely shown so much despair and dignity and his letter will move you to tears .It's anyway the sequence when he writes it that climaxes the movie,when most of the guys are guzzling or drinking ,with the horrible fat woman 's shrill chuckles as a sinister soundtrack.

As Neil Young sings "would fade away so young/with so much left undone/remember me to my love I know I'll miss her" (Powderfinger)

Do not miss this film !It's a timeless classic.


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