A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot. Written by
David Levene <D.S.Levene@durham.ac.uk>
"The Screen Guild Theater" broadcast a 30 minute radio adaptation of the movie on September 18, 1944 with William Eythe reprising his film role. See more »
During opening sequences when Fonda is at the bar, the whiskey he is drinking changes from clear to dark. See more »
[Gil and Art discuss their uneasiness about certain members of the posse]
Besides, I like to pick my own bosses.
Whether we picked 'em or not, we sure got 'em.
That's what I don't like. That Smith, and Bartlett, shootin' off their mouths... Farnley... and that renegade Tetley, struttin' around in his uniform pretending he's so much. He never even *saw* the South until after the war, and then only long enough to marry that kid's mother and get run outta' the place by her folks.
I figured there ...
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At the end of the credits an ad for U.S. war savings bonds is shown on the screen. It says that "15,000 movie theatres are now selling U.S. war savings stamps and bonds! Buy yours in this theatre." See more »
I loved the simplicity of this 75 minute film, yet how powerful and effective it remained just the same. It's an effective little gem with nice direction, good performances (with a standout being a young Anthony Quinn) and a telling study of human weaknesses.
I had a very minor quibble regarding Henry Fonda's characterization early in the movie, and how so much time was spent on crafting it to no real advantage. It seemed like all that preliminary material had no bearing on the events that would transpire later in the movie. The same might be argued for the scene involving the married woman who Fonda is sweet on. No matter. In the end, the film is overwhelmingly successful and poignant, despite these observations.
36 of 56 people found this review helpful.
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