Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot. Written by
David Levene <D.S.Levene@durham.ac.uk>
The Hays Office--the industry's censors--initially was reluctant to approve the script because of its suggestion that the sheriff condoned the lynchings. The treatment of the lynchings and the characterization of those participating were discussed by the PCA and the studio at great length, and in a June 9, 1942 letter, PCA director Joseph Breen advised studio public relations head Jason S. Joy that the script would be approved if: "Major Tetley's" suicide is retained, "thus constituting a punishment for the ring-leader of the lynching party;" there is an indication that the whole gang will be arrested; the character of "Gil" is rewritten to make him less callous and more active in trying to stop the lynchings; and "Davies'" denunciation of the killings is retained. See more »
At the very end of the movie when Art and Gil get on their horses, you can see that Art steps up on something with his right foot, before he puts his other foot into the stirrup. In the next shot there is nothing for him to have stepped on. See more »
They're kiddin' you, Sparks.
I know sir. But maybe Mr. Smith's accidentally right. Maybe I ought to go along.
See more »
At the end of the credits an ad for U.S. war savings bonds is shown on the screen. It says that "15,000 movie theatres are now selling U.S. war savings stamps and bonds! Buy yours in this theatre." See more »
Perhaps the best Western-Noir of all time-give it more votes!
A dark Western that ranks with "Liberty Valance" as a top Western-Noir film. This great film has a ranking that would place it in the top 250, but lacks enough votes.
"Ox-Bow" is rarely viewed or mentioned, yet most consider it to be a great film. Fonda's slow style is perfect for this psychological drama, and Henry Morgan delivers a very deep and compassionate performance. Dana Andrews may be miscast but delivers. Though slow-paced its characters, plot line and score keep the viewer glued. It's a haunting story with a twist at the end.
Please vote for this fine film and see if we can get it into the top 250!
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