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The Outlaw (1943)

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Ratings: 5.5/10 from 2,540 users  
Reviews: 74 user | 24 critic

Western legends Pat Garrett, Doc Holliday and Billy the Kid are played against each other over the law and the attentions of vivacious country vixen Rio McDonald.

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Cast

Complete credited cast:
Jack Buetel ...
Billy the Kid (as Jack Beutel)
...
Rio McDonald
...
...
...
Guadalupe
Joe Sawyer ...
Charley Woodruff
...
Stranger who draws on The Kid
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Storyline

Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl, Rio's, place after Billy is shot. She falls for Billy, although he treats her very badly. Interaction between these four is played out against an Indian attack before a final showdown reduces the group's number. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

How'd you like to tussle with Russell?? See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 November 1946 (Mexico)  »

Also Known As:

Ge├Ąchtet  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The first American film that defied the "Production Code" of the Hays Office, which dictated what could and could not be shown on screen. See more »

Goofs

(at around 1 min) As Doc and The Kid are leaving the stable, they both walk into the camera shadow on the right side of the screen. See more »

Quotes

[first lines]
Townsman: Doc Holliday just got off the stagecoach! Do you want me and some of the boys to come along with you?
Pat Garrett: Why do ask that?
Townsman: Well, I certainly wouldn't want to fool around with him if I were alone.
Pat Garrett: I don't blame you, but I ain't gonna make no trouble for Doc Holliday. He's my best friend!
See more »

Connections

Featured in Sex at 24 Frames Per Second (2003) See more »

Soundtracks

Trail to Mexico (Bury Me Not on the Lone Prairie)
(uncredited)
Traditional ballad
Integrated often into the score
See more »

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User Reviews

 
Breasts
13 March 2004 | by (Oz) – See all my reviews

I would have preferred if there was no plot at all - Jane Russell is gorgeous, and Howard Hughes' meticulous efforts to emphasise her considerable bust make her quite a thing to look at. I would have preferred to see less of Pat Garrett and Doc Holliday, and more of Jane Russell. Even in the circumcised 95 min version i saw, there are shots of her cleavage, very rare for a 1943 film. There are other aspects of the movie which make it racy even by today's standards: one scene which made it to the most censored version involves something we don't see again till 1970 (Altman's MASH), far as i know. A man is sick, Russell is told he may die, she starts undressing, tells the maid to leave the room and tells the sick man: "I'll warm you up."

At times like this, there is a total fadeout to black and the music cuts out - something which never happens elsewhere in the movie. Its not hard to pick where bits have been cut out. I'd love to see the full version, available on the Criterion DVD. Plus, the transfer on the cheapie DVD i've got is not good, and Criterion always do a great transfer.

The sex caused the production enough trouble, however - getting it banned in several countries, and neutered in the US. Still, there are enough scenes of Russell looking gorgeous here to recommend it to you for that alone (best bits: Russell standing in front of a mirror, riding a horse, wearing that green shirt, getting wet... you get the idea). The shot of Russell in The Outlaw's photo gallery gives you an idea of the sultry sexuality Russell had. That's a publicity still, though, so she looks slighty more natural in the movie. The western-adventure plot is impoverished and eventually turns into a love triangle with Russell, which i would have recommended to Hughes instead of trying a straight western adventure. He clearly cared most about women and aviation, and since this movie involved no planes, he needed plenty of sex to keep him interested. Hughes's frame only comes alive when Russell is on screen. Luckily, she comes on screen quite often. Still, it never seems like enough. The only interest the other characters (none other than Pat Garrett, Billy the Kid and Doc Holliday) serve is watching how often their eyes stray to Russell's bust when they're in a scene with her.

Unexpectedly comic moment: in a shootout, one man refuses to draw, so the other shoots a big hole in his hand and out of his ears and he doesn't even react, as if he didn't feel it. I don't care how tough you are, you're gonna feel pain if you lose half an ear to a bullet.


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