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The Outlaw (1943)

Approved  |   |  Comedy, Drama, Romance  |  7 November 1946 (Mexico)
5.5
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Ratings: 5.5/10 from 2,803 users  
Reviews: 83 user | 25 critic

Western legends Pat Garrett, Doc Holliday and Billy the Kid are played against each other over the law and the attentions of vivacious country vixen Rio McDonald.

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, (uncredited)

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(screenplay)
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Cast

Complete credited cast:
Jack Buetel ...
Billy the Kid (as Jack Beutel)
...
...
...
...
Guadalupe
Joe Sawyer ...
Charley Woodruff
...
Stranger who draws on The Kid
Edit

Storyline

Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl, Rio's, place after Billy is shot. She falls for Billy, although he treats her very badly. Interaction between these four is played out against an Indian attack before a final showdown reduces the group's number. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

EXACTLY AS FILMED (reissue print ad - all caps) See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 November 1946 (Mexico)  »

Also Known As:

Geächtet  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Howard Hawks wanted Albert R. Broccoli to work as an assistant director on the film, but when Howard Hughes heard it he said: "I can't give a good friend a job, the studio will be very upset with me!" But Hawks replied: "I want Cubby!" (Albert R "Cubby" Broccoli, who later became famous for the 'James Bond' films). See more »

Goofs

Billy the Kid was killed by Pat Garrett in 1881, but Doc Holliday died in bed of tuberculosis in 1887. See more »

Quotes

[first lines]
Townsman: Doc Holliday just got off the stagecoach! Do you want me and some of the boys to come along with you?
Pat Garrett: Why do ask that?
Townsman: Well, I certainly wouldn't want to fool around with him if I were alone.
Pat Garrett: I don't blame you, but I ain't gonna make no trouble for Doc Holliday. He's my best friend!
See more »

Connections

Version of I Shot Billy the Kid (1950) See more »

Soundtracks

Symphony No. 6 in B Minor, Opus 74, 'Pathétique'
(1893) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
First movement theme played during the opening credits
Variations also played throughout as the love theme between Billy and Rio
See more »

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User Reviews

 
In Response To Those Knockers...
1 March 2004 | by (Cyberia) – See all my reviews

...who think this movie isn't worth the time of day, I want to assert that it rises to an eminence that makes it the best western of the 1940's. Once you make an effort to penetrate the rough exterior and get the feel of it, you will agree that it is an unforgettable summit of achievement by all involved.

In particular, there are two prominent points that engage my attention. One of these is the complexity of the interaction between the four principal characters. They are forever brooding over the most murderous resentments, then turning around and forming alliances, often amorous. This continual shifting of balance is what drives The Haunting (1963), and is what gives this movie its peculiar interest. Most westerns from that era have good guys versus bad guys, very boring; here we actually get something to think about. The characters are clearly defined individuals, and they behave with consistency.

The other point is the musical soundtrack - it is the worst, I mean the very worst, in any movie. Tchaikovsky has never been so foully misused. Doubtless this was due to Howard Hughes' lack of taste, but the guy deserves some thanks for funding a movie no-one else would have touched back then. If the movie is ever re-released on DVD, there should be the option of squelching the music.

Critics who knock the movie draw particular attention to the wooden acting of Jane Russell, but it seems just right for her part - smouldering with resentment and desire, but all of it suppressed by her need to fulfil her social role.

So ignore the sniping from the boobs elsewhere at this site, and give The Outlaw a chance to capture you!


15 of 24 people found this review helpful.  Was this review helpful to you?

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