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The Outlaw (1943)

5.6
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Ratings: 5.6/10 from 2,581 users  
Reviews: 75 user | 25 critic

Western legends Pat Garrett, Doc Holliday and Billy the Kid are played against each other over the law and the attentions of vivacious country vixen Rio McDonald.

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, (uncredited)

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Cast

Complete credited cast:
Jack Buetel ...
Billy the Kid (as Jack Beutel)
...
Rio McDonald
...
...
...
Guadalupe
Joe Sawyer ...
Charley Woodruff
...
Stranger who draws on The Kid
Edit

Storyline

Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl, Rio's, place after Billy is shot. She falls for Billy, although he treats her very badly. Interaction between these four is played out against an Indian attack before a final showdown reduces the group's number. Written by Ron Kerrigan <mvg@whidbey.com>

Plot Summary | Plot Synopsis

Taglines:

'BILLY! LET ME GO!" See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 November 1946 (Mexico)  »

Also Known As:

Geächtet  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Jane Russell got the role after a nationwide search by Howard Hughes for a busty actress. See more »

Goofs

The date on the grave in which Doc Holliday is buried, which reads 'Here lies Billy the Kid', is July 13, 1881. The real Doc Holliday participated in events of the famous Gunfight at OK Corral on October 26th, 1881. See more »

Quotes

[first lines]
Townsman: Doc Holliday just got off the stagecoach! Do you want me and some of the boys to come along with you?
Pat Garrett: Why do ask that?
Townsman: Well, I certainly wouldn't want to fool around with him if I were alone.
Pat Garrett: I don't blame you, but I ain't gonna make no trouble for Doc Holliday. He's my best friend!
See more »

Connections

Featured in Cleavage (2002) See more »

Soundtracks

Symphony No. 6 in B Minor, Opus 74, 'Pathétique'
(1893) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
First movement theme played during the opening credits
Variations also played throughout as the love theme between Billy and Rio
See more »

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User Reviews

 
Truly One Of The Weirdest Movies I've Ever Seen
11 October 2009 | by (Niagara Region, Ontario, Canada) – See all my reviews

There's something in its very weirdness that makes this almost worth watching - which is a positive, because there really isn't much in the story itself that would make it worth watching. Best known as the film debut of a very bosomy Jane Russell, the movie actually describes a completely fictionalized friendship between Billy the Kid (Jack Beutel) and Doc Holliday (Walter Huston). According to the story, Holliday arrives in the town of Lincoln, NM and meets up with his old buddy Sheriff Pat Garrett (Thomas Mitchell.) Their friendship is strained when Billy shows up on the scene and Holliday becomes more involved with him. That's really where the weirdness comes in. Although Billy and Holliday are supposedly in a romantic competition for Rio (Russell), this really comes across as a 3-cornered homo-erotic relationship, with Holliday jilting Garrett for Billy. In the scenes between any combination of the three of them, that's really the sense you get of the relationship. It's truly bizarre to watch, which is perhaps not surprising for a movie produced and directed by Howard Hughes, who was already in a period of significant mental decline while he was putting this out. Hughes' OCD undoubtedly led to the very realistic and surprisingly detailed sets, but there was a lot that didn't fit well at all - including a dreadful musical score and some ham-fisted attempts at humour. The movie also includes surprisingly little gunplay for a Western. There's really not very much of interest here, but for Russell's sheer beauty as well as the over the top bizarre-ness of the whole thing, it gets a 4/10.


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