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Old Acquaintance (1943)

 -  Drama  -  27 November 1943 (USA)
7.6
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Ratings: 7.6/10 from 1,686 users  
Reviews: 26 user | 11 critic

Old friends Kit Marlowe and Millie Drake adopt contrasting lifestyles: Kit is a single, critically acclaimed author while married Millie writes popular pulp novels.

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(screenplay), (screenplay), 2 more credits »
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Title: Old Acquaintance (1943)

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Cast

Complete credited cast:
...
...
Millie Drake
...
Rudd Kendall
John Loder ...
Preston Drake
Dolores Moran ...
Deirdre Drake
Phillip Reed ...
Lucian Grant (as Philip Reed)
...
Charlie Archer
...
Belle Carter
Esther Dale ...
Harriet
Edit

Storyline

Jealous of best friend Kit, a critically acclaimed but financially unsuccessful author and playwright, Millie writes a novel, the first in a string of bestselling trashy novels. After eight years of neglect and taking a backseat to Millie's fame, her husband Preston leaves her. Another decade passes and Kit announces her intention of marrying the decade-younger Rudd. Millie thinks Preston wishes to reconcile, only to discover he is engaged. He also admits that he was in love with Kit, who had turned down his many advances. Feeling Kit to blame for the failure of her marriage, Millie flies into a rage and confronts Kit. Later, learning of Rudd's affection for Millie's daughter Diedre, Kit graciously steps aside to bless their union. In the end, Millie and Kit make up, sharing a champagne toast for each one's old acquaintance. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

27 November 1943 (USA)  »

Also Known As:

L'impossible amour  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

"Lux Radio Theater" broadcast a 60 minute radio adaptation of the movie on May 29, 1944 with Miriam Hopkins reprising her film role. See more »

Goofs

As the group of college girls drive Kit away, Millie turns her head and calls out Kit's name but her lips do not move. See more »

Quotes

Kit Marlowe: Millie remembers the same things I do, that's important. For instance, she's the only person I know, who still remembers when I used to be called Chunky.
Preston Drake: I'd think you wouldn't want to remember that.
Kit Marlowe: But one does. Funny, one does.
See more »

Connections

Featured in Stardust: The Bette Davis Story (2006) See more »

Soundtracks

Perfidia
(1939) (uncredited)
Music by Alberto Domínguez
Played on a record at the music store and danced by Dolores Moran
See more »

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User Reviews

 
Break Out the Flat Champagne
7 May 2007 | by (Alexandria, VA) – See all my reviews

A classic woman's film in the best sense of the word, "Old Acquaintance" was remade by George Cukor as "Rich and Famous" and echoed in the final scenes of Pedro Almodovar's "La Flor de Mi Secreto." Such is the enduring appeal of this tale of a friendship between two women that continues throughout their lives despite rivalries, temperament, and love affairs. Of course with Bette Davis and Miriam Hopkins as the women, the film rises from melodramatic soap opera to a higher level. Davis plays Kit, a serious, sensitive writer, whose interests lie principally in her work. Hopkins plays Millie, a self-absorbed woman who envies her friend's success, but is determined to have everything: a writing career, a home, and a family. While Kit writes critically lauded books and plays, Millie produces a steady stream of best selling romantic novels. While Millie becomes wealthy beyond measure, Kit remains appreciated if not rich. However, Kit's warmth attracts the affections of not only Millie's increasingly estranged husband, but also her neglected daughter.

Thus, the stage is set for emotional clashes between the two writers that provide Davis and Hopkins with some juicy material. Hopkins in particular chews the scenery, wrings her hands, and emotes outrageously. Davis, on the other hand, underplays her role more than usual, although the Davis eyes and inflections remain. Perhaps she understood that the histrionics of more than one actress would be too much for the audience to bear. However, during one classic outburst, Davis unexpectedly does steal a scene from Hopkins and provoke a startled laugh from the audience. With two strong women at its center, the men in "Old Acquaintance" understandably play support. John Loder is all bland good looks as Millie's husband, and a handsome Gig Young does little besides look handsome and play the too-young romantic interest for Davis.

With the exception of Deidre, Hopkins' daughter, the other major female roles also involve working women. Although Davis's maid may be a domestic, she does work and earn her own living. The reporter who interviews Hopkins and Loder is a gender-neutral role, but perhaps to emphasize the centrality of women to the story, another strong actress, Anne Revere, was cast. In fact, besides Loder and Young, most of the men in the film play waiters, taxi drivers, night clerks, playboys, and drunks. Newcomer Dolores Moran, who plays Deidre, was out of her league with Davis and Hopkins and comes across as shallow and unconvincing. Her erotic gyrations to seduce Gig Young in a listening booth and her defiant dalliance with an older playboy are at odds with the character and image of Kit, who was supposedly Deidre's role model.

Fast paced, lush, and romantic, "Old Acquaintance" is one of those movies that "they just don't make anymore." The dialog is delicious, the performances occasionally border on camp, and the direction is sure-handed. With a box of chocolates, a wad of Kleenex, and a bottle of flat champagne, Bette and Miriam are the perfect friends for a rainy afternoon.


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