Old Acquaintance (1943)

Director:

Vincent Sherman

Writers:

John Van Druten (play)
John Van Druten (screenplay) ...

Release Date:

27 November 1943 (USA)

Genre:

Comedy | Drama | Romance

Plot:

Old friends Kit Marlowe and Millie Drake adopt contrasting lifestyles: Kit is a single, critically acclaimed author while married Millie writes popular pulp novels.

Plot Keywords:

Author | Critically Acclaimed | Playwright | Marriage | Old Friend

Cast

Bette Davis	...	Kit Marlowe
Miriam Hopkins	...	Millie Drake
Gig Young	...	Rudd Kendall
John Loder	...	Preston Drake
Dolores Moran	...	Deirdre Drake
Phillip Reed	...	Lucian Grant (as Philip Reed)
Roscoe Karns	...	Charlie Archer
Anne Revere	...	Belle Carter
Esther Dale	...	Harriet

Runtime:

110 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (RCA Sound System)

Certification:

Finland:S | Sweden:15 | USA:Approved (certificate #9000) | Australia:PG

Filming Locations:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Company:

Warner Bros. Pictures

Trivia:

This film was the second collaboration of legendary arch-enemies Bette Davis and Miriam Hopkins, (Their previous collaboration had been The Old Maid (1939).) The fact that in 1939, Bette Davis had an affair with Miriam Hopkins' then-husband, director Anatole Litvak, only added to their mutual hatred. To their credit, the two actresses had a sense of humor about the situation and allowed publicity photographs to be taken of them facing each other wearing boxing gloves, with director Vincent Sherman between them.

Goofs:

Audio/visual unsynchronized: As the group of college girls drive Kit away, Millie turns her head and calls out Kit's name but her lips do not move.

Quotes:

Kit Marlowe: It's late, and I'm very, very tired of youth and love and self-sacrifice.

Movie Connections:

Featured in Stardust: The Bette Davis Story (2006) (TV)

Soundtrack:

Auld Lang Syne

Old Rivalry

Long before "Beaches" and "The Turning Point", there was the film "Old Acquaintance" (1937?). Focusing on the familiar theme of longtime friendship that is tainted by jealousy and competition, one of the most remarkable things about it is that Davis actually plays the "nice" one this time around. "Old Acquaintance" begins with Kit (Davis), a writer who turns out books that appeal to female intellectuals, returns home to visit her old friend Millie (Hopkins). Kit and Millie basically grew up together, and despite Kit's seriousness and drive and Millie's concern for all things material, the two have forged a friendship that is pretty tight. When we first meet the two, Millie, married and pregnant with her first (and only) child, decides that she too can become an authoress, only she is going to write what she thinks the public wants; torrid potboilers (ala Danielle Steel) that are high on the sappy melodrama, and low on the substance meter. When Millie finds eventual success and becomes extremely wealthy, churning out book after book, her husband Pres (Loder), and child, Didi begin to feel neglected and eschewed, thanks to Millie's highly materialistic and "queen bee" attitude. They both turn to Kit, who has managed to stick around through all of this, Pres falling in love with her, and Didi looking to Kit as a surrogate mother. Despite Kit having reciprocal feelings for Pres, she insists that they can never come to fruition since Millie is her best friend, so he divorces Millie and leaves. Years later, still a success, Millie finds out that Kit and Pres were in love at one point, and despite the fact that neither followed through with their feelings, Millie blames Kit, now an accomplished and respected playwright, eventually turning Didi, now in her late teens, against her. The drama is further heightened when Kit finally agrees to marry Rudd (Young), her younger lover, right when he meets and falls in love with Didi, causing further conflict and heartache until Kit and Millie are left with the prospect of only being left with the other, despite their serious issues over the years.

I really enjoyed "Old Acquaintance" because it had all of the elements of a great melodrama; back-stabbing, unrealized and tragic love, Bette Davis. Whether she is playing the good soul or the evil one (most likely the latter), Davis does drama the best, and "Old Acquaintance" is a fine example of her work. Hopkins, who I previously have seen playing fairly harmless and airy characters in ("The Heiress") as well as endangered and misunderstood (the wrongfully accused school teacher in "These Three") really rolls up her sleeves and digs into this part with obvious relish. She is fantastic, and while you spend most of the movie hating her, you can't help but admire how well Hopkins performs the role. The supporting cast of Loder and Young are fairly solid, and Loder in particular is great as the put-upon, romantic and downtrodden husband. Part of you wants to smirk and call him a wuss and part of you wishes you could date him.

The story itself is full and solidly carries itself well from the beginning of the film until the end. Coupled with good acting and a couple of great slaps courtesy of La Davis, "Old Acquaintance" was a good, meaty film that I watched with great relish, wondering where it had been for the last 20 years I have spent watching all things classic film, and in particular, Bette Davis. There was nothing stupendous about "Old Acquaintance" that made me speak in tongues or anything, but it is a wonderful film that has fallen into relative obscurity over the years that deserves to be seen and enjoyed. 8/10 --Shelly