| Hans Albers | ... | Baron Münchhausen | |
| Wilhelm Bendow | ... | Der Mondmann | |
| Brigitte Horney | ... | Zarin Katharina II | |
| Michael Bohnen | ... | Herzog Karl von Braunschweig | |
| Ferdinand Marian | ... | Graf Cagliostro | |
| Hans Brausewetter | ... | Freiherr von Hartenfeld | |
| Hermann Speelmans | ... | Christian Kuchenreutter | |
| Marina von Ditmar | ... | Sophie von Riedesel | |
| Andrews Engelmann | ... | Fürst Potemkin | |
| Käthe Haack | ... | Baronin Münchhausen | |
| Waldemar Leitgeb | ... | Fürst Grigorij Orlow | |
| Walter Lieck | ... | Der Läufer | |
| Hubert von Meyerinck | ... | Prinz Anton Ulrich | |
| Jaspar von Oertzen | ... | Graf Lanskoi | |
| Werner Scharf | ... | Prinz Francesco d'Este | |
| Armin Schweizer | ... | Johann | |
| Marianne Simson | ... | Die Mondfrau | |
| Leo Slezak | ... | Sultan Abdul-Hamid | |
| Hilde von Stolz | ... | Louise La Tour | |
| Gustav Waldau | ... | Casanova | |
| Franz Weber | ... | Fürst von Ligne | |
| Ilse Werner | ... | Prinzessin Isabella d'Este | |
| Eduard von Winterstein | ... | Vater Münchhausen | |
| rest of cast listed alphabetically: | |||
| Lewis Brody | |||
| Angelo Ferrari | ... | Freund von Prinz Francesco | |
| Valy Arnheim | ... | Haushofmeister am Petersburger Hof (uncredited) | |
| Jur Arten | ... | Mann (uncredited) | |
| Erwin Biegel | ... | Cagliostros Leibjäger (uncredited) | |
| Fritz Busch | ... | Theaterdirektor (uncredited) | |
| Fanny Cotta | ... | Rosalbe Carriera (uncredited) | |
| Erich Dunskus | ... | Landlord (uncredited) | |
| Irene Fischer | ... | Marfa (uncredited) | |
| Ilse Fürstenberg | ... | Rieke Kuchenreutter (uncredited) | |
| Bernhard Goetzke | ... | Gatti (uncredited) | |
| Trude Haefelin | ... | Dame (uncredited) | |
| Karl Harbacher | ... | The Clock (uncredited) | |
| Harry Hardt | ... | Courier (uncredited) | |
| Trude Heess | ... | Countess Stroganoff (uncredited) | |
| Maria Hofen | ... | Fainting Spectator (uncredited) | |
| Hedi Höpfner | ... | Frau (uncredited) | |
| Margot Höpfner | ... | Frau (uncredited) | |
| Victor Janson | ... | Yussuf Pascha (uncredited) | |
| Hans Junkermann | ... | Kapellmeister Graun (uncredited) | |
| Nicolas Koline | ... | Großwesir (uncredited) | |
| Luise Morland | ... | (uncredited) | |
| Karl-Heinz Peters | ... | François Blanchard (uncredited) | |
| Hermann Pfeiffer | ... | Selim, Eunuch (uncredited) | |
| Anton Pointner | ... | Count Kobenzl (uncredited) | |
| Yelena Polevitskaya | ... | Countess Daschkin (uncredited) | |
| Erik Radolf | ... | Husarenoffizier (uncredited) | |
| Paul Rehkopf | ... | Förster (uncredited) | |
| Ernst Albert Schaach | ... | De Ségur (uncredited) | |
| Franz Schafheitlin | ... | Doge (uncredited) | |
| Franz Stein | ... | Leibjäger Rösemeyer (uncredited) | |
| Henry Stuart | ... | Sir Fitzherbert (uncredited) | |
| Leopold von Ledebur | ... | Kanzler Panin (uncredited) | |
| Helene von Schmithberg | ... | Dame (uncredited) | |
| Aruth Wartan | ... | Pugatschew (uncredited) | |
| Hanns Waschatko | ... | Herr im Diplomatenrock (uncredited) | |
| Meta Weber | ... | (uncredited) | |
| Ewald Wenck | ... | Vorhangzieher Methfessel (uncredited) | |
Directed by | |||
| Josef von Báky | |||
Writing credits(in alphabetical order) | ||
| Gottfried August Bürger | book (uncredited) | |
| Erich Kästner | script & dialogue (as Berthold Bürger) | |
| Rudolph Erich Raspe | stories (uncredited) | |
Produced by | |||
| Eberhard Schmidt | .... | producer | |
Original Music by | |||
| Georg Haentzschel | |||
Cinematography by | |||
| Konstantin Irmen-Tschet | |||
| Werner Krien | |||
Film Editing by | |||
| Milo Harbich | (uncredited) | ||
| Walter Wischniewsky | (uncredited) | ||
Casting by | |||
| Jobst von Reiht-Zanthier | |||
Production Design by | |||
| Otto Guelstorff | (as Otto Gülstorff) | ||
| Emil Hasler | |||
Art Direction by | |||
| Werner Klein | |||
Costume Design by | |||
| Manon Hahn | |||
Production Management | |||
| Veit Massary | .... | unit manager | |
Sound Department | |||
| Erich Schmidt | .... | sound (uncredited) | |
Special Effects by | |||
| Konstantin Irmen-Tschet | .... | special effects | |
| Ernst Kunstmann | .... | special effects | |
| Theo Nischwitz | .... | special effects | |
Camera and Electrical Department | |||
| Heinz Schimmelpfennig | .... | assistant camera | |
Other crew | |||
| Fritz Thiery | .... | dialogue director | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Germany section |
The fabulous exploits of Baron MÜNCHHAUSEN include several wars, numerous plots and beautiful women without number.
At the height of World War Two, as the tide was beginning to turn against the Third Reich, Hitler's Minister of Propaganda, Joseph Goebbels commissioned this lavish motion picture as a commemoration of the 25th anniversary of Ufa, the government-run German film association. More importantly, it was also to be a rival of the great fantasy films which had come from the Allied nations, such as THE WIZARD OF OZ (1939) and THE THIEF OF BAGDAD (1940). In that it succeeds brilliantly and needs no comparison to any other film.
The film is a great, lighthearted romp as it follows the adventures of the Baron from Prussia to St. Petersburg, Constantinople, Venice and even the Moon. It is fascinating to see the high quality which the Germans were still able to lavish on the picture, even as their Empire was beginning to crumble around them. The production values are of a very high order and the Technicolor photography is sumptuous to the eye. Remarkably, there is no National Socialist propaganda in the film and the War is never mentioned.
In the title role, Hans Albers gives a surprisingly sensitive performance for such a robust production. He takes the legendary character and gives the viewer a portrait of a dashing, reflective, amorous, compassionate, resourceful man. Whether riding on a cannonball, ingratiating himself with the Ottoman Sultan, or examining the fantastic flora of the lunar planet, Albers always makes Münchhausen totally believable.
All the acting is of a high order, but especially worthy of mention are Ferdinand Marian as the mysterious Count Cagliostro, Brigitte Horney as a flirtatious Catherine the Great, and Gustav Waldau as an aging Casanova.
It should be mentioned that this is not a movie for children. Given its European origins it should come as no surprise that MÜNCHHAUSEN is a good deal more libidinous than the standard Hollywood fare of the time.
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There was a real Baron Karl Friedrich Hieronymus von Münchhausen (1720-1797), a German adventurer and teller of tall tales, but he had nothing to do with the book of fictional exploits which borrowed his name, written by Rudolf Erich Raspe (1737-1794), upon which this film was based.