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The Adventures of Baron Munchausen (1943)
"Münchhausen" (original title)

7.3
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Ratings: 7.3/10 from 1,240 users  
Reviews: 26 user | 17 critic

This lavish, impudent, adult fairy tale takes the viewer from 18th-century Braunschweig to St. Petersburg, Constantinople, Venice, and then to the moon using ingenious special effects, stunning location shooting.

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Title: The Adventures of Baron Munchausen (1943)

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Cast

Cast overview, first billed only:
Hans Albers ...
Wilhelm Bendow ...
Der Mondmann
...
Zarin Katharina II
Michael Bohnen ...
Herzog Karl von Braunschweig
Ferdinand Marian ...
Hans Brausewetter ...
Freiherr von Hartenfeld
Hermann Speelmans ...
Christian Kuchenreutter
Marina von Ditmar ...
Sophie von Riedesel
Andrews Engelmann ...
Käthe Haack ...
Waldemar Leitgeb ...
Walter Lieck ...
Der Läufer
Hubert von Meyerinck ...
Prinz Anton Ulrich
Jaspar von Oertzen ...
Graf Lanskoi
Werner Scharf ...
Prinz Francesco d'Este
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Storyline

This lavish, impudent, adult fairy tale takes the viewer from 18th-century Braunschweig to St. Petersburg, Constantinople, Venice, and then to the moon using ingenious special effects, stunning location shooting.

Plot Summary | Plot Synopsis


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Details

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Release Date:

6 August 1943 (Hungary)  »

Also Known As:

The Adventures of Baron Munchausen  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

(restored) | (premiere)

Sound Mix:

Color:

(Agfacolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Writer Erich Kästner is widely reported to be billed as "Berthold Bürger" on this film, but there is in fact no writing credit at all. Kästner was a banned author in Nazi Germany and his books were among those burnt in 1933, which might account for the lack of writing credit here. See more »

Goofs

Sophia's "beauty spots" disappear and reappear during the opening scenes of the film. See more »

Connections

Version of Tot samyy Myunkhgauzen (1979) See more »

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User Reviews

 
A great German, not Nazi movie.
22 July 2006 | by (Canada) – See all my reviews

Someone should do a book on the making of this one. It might represent the best blindsiding of the Nazi regime by artists who had scores to settle. I'm always amazed and grateful it made it past the censor. First, the writer, Erich Kastner, was blacklisted, a Jew, and had his books burned by the Nazis. But they were SO desperate for a good writer they got him on board for this. You sense they wanted world distribution....even down to the product placement shot of a Munchausen children's book Albers is holding before the flashback. Hans Albers, the Brad Pitt of his day, was forced to give up his Jewish girlfriend, Hansi Berg, and work for the Nazis. He sent her money in London all through WWII. She made it out in '38 escaping with her Dad. Dad (Eugen Berg) was not as lucky. He got caught and sent to the camps. He died there in '44. Kastner's script pokes fun of ALL authority, and embraces life itself, and urges the viewer to wake up and take it all in before it's too late; the Baron turns down power to enjoy life, and always has time for a good meal or a hot date. The photography is excellent, the KINO restoration the one to get..Carnival in Venice is wonderful to see and you find bits of humor and wit and set decoration that survived to the 80's version..but there is a haunting, melancholy air to this version, even when everyone is enjoying themselves...the writer knows too quickly everything can just GO and you're best to enjoy what you can while you can. I sometimes see a sad, long look in Hans Albers eyes...is he wondering if he would ever see his gal again? Does he KNOW where her Dad is? What does he THINK of the Nazis?? As it was, Kastner lived to 1974, the richest of the lot, when Disney made his two most famous books (Parent Trap, Emil and the Detectives) into movies. He is the only cast member who's name is associated with a Lindsay Lohan movie. Hansi came back to Hans and they lived together until Albers' death in 1960. She died in 1975.


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