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The More the Merrier (1943)

Passed | | Comedy, Romance | 22 July 1943 (Mexico)
During the WW2 housing shortage in Washington, two men and a woman share a single apartment and the older man plays Cupid to the other two.

Director:

Writers:

(screen play), (screen play) | 4 more credits »
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Won 1 Oscar. Another 1 win & 5 nominations. See more awards »
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Cast

Complete credited cast:
...
...
...
Richard Gaines ...
...
Frank Sully ...
FBI Agent Pike
...
FBI Agent Harding (as Don Douglas)
Clyde Fillmore ...
Senator Noonan
Stanley Clements ...
Morton Rodakiewicz
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Storyline

It's World War II and there is a severe housing shortage everywhere - especially in Washington, D.C. where Connie Milligan rents an apartment. Believing it to be her patriotic duty, Connie offers to sublet half of her apartment, fully expecting a suitable female tenent. What she gets instead is mischievous, middle-aged Benjamin Dingle. Dingle talks her into subletting to him and then promptly sublets half of his half to young, irreverent Joe Carter - creating a situation tailor-made for comedy and romance. Written by A.L.Beneteau <albl@inforamp.net>

Plot Summary | Add Synopsis

Taglines:

What would you do if you had to share your home with two strange men? See more »

Genres:

Comedy | Romance

Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 July 1943 (Mexico)  »

Also Known As:

Merry-Go-Round  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Western Electric Mirrophonic Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

In the scene where Benjamin Dingle is getting another pair of trousers out of his suitcase, he sings, "He scooped out a turnip to make him a-one," which is a line from an old Irish folk song named "Brian O'Lynn." The complete verse is: Now Brian O'Lynn had no watch to put on, So he scooped out a turnip to make himself one. He placed a young cricket all under the skin. "They'll think it's a-ticking," says Brian O'Lynn. See more »

Goofs

As Connie is speaking to Joe Carter for the first time in the hallway of the apartment, she asks "You don't happen to know a gentleman by the name of Benjamin Dingle, do you"? On the next cut, she is silently mouthing the very same words as Mr. Dingle arrives at the door after passing in front of her. See more »

Quotes

[first lines]
Narrator: Our vagabond camera takes us to beautiful Washington, D.C., the national capital of our United States, situated on the broad banks of the Potomac River. Living is pleasant and leisurely... for it is a city of formality and custom. Manners and courtesy are responsible for the well-ordered conduct of its daily affairs. The many fine restaurants of Washington are the delight of the epicurean and the gourmet, where one may enjoy to the full the rare dishes of the old south. ...
[...]
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Connections

Featured in The Lady with the Torch (1999) See more »

Soundtracks

Don't Try To Steal The Sweetheart Of A Soldier
(1917) (uncredited)
Music by Gus Van and Joe Schenck
Lyrics by Al Bryan
Played and sung by off-screen voices
See more »

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User Reviews

 
As zany as it gets
10 August 2005 | by (United States) – See all my reviews

This movie, set in Washington, DC during the early years of the US' involvement in WWII, when DC was still a relatively small city, is sociologically fascinating: the back story is the housing shortage that occurred when everyone descended on the nation's capital in order to organize the country in preparation for war. But the real story is the incredible script, directing (George Stevens) and, most of all comedic acting by Joel McCrea (always the tall, handsome, slightly cynical straight man (whose straightness itself can be hilarious)), Jean Arthur (whose voice I could listen to forever), and, WOW, Charles Coburn as a flustered wealthy tycoon who plays cupid while trying to help solve the country's pressing problems. The comedy is relentless, absolute hilaritas, and it gets zanier by the minute. Very few weak spots in this relatively unknown comedy. Seeing this recently, and a couple of other McCrea comedies directed by Preston Sturges, you have to wonder why Cooper got all the glory while McCrea was frequently relegated to the second tier (despite major box office draws for more serious wartime work).


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