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Mission to Moscow (1943)

Approved | | Drama, History, War | 22 May 1943 (USA)
Ambassador Joseph Davies is sent by FDR to Russia to learn about the Soviet system and returns to America as an advocate of Stalinism.

Director:

Writers:

(book), (screenplay)
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Nominated for 1 Oscar. See more awards »

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Cast

Cast overview, first billed only:
...
...
Mrs. Marjorie Davies
...
Maxim Litvinov, Foreign Minister
...
Freddie
...
...
Emlen Davies
...
Paul
...
Maj. Kamenev
...
Vyshinsky, chief trial prosecutor
...
Barbara Everest ...
Mrs. Litvinov
Dudley Field Malone ...
Roman Bohnen ...
Mr. Krestinsky
...
Tanya Litvinov
...
Col. Faymonville
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Storyline

"Mission to Moscow" was made at the behest of F.D.R. in order to garner more support for the Soviet Union during WWII. It was from the book by Joseph E. Davies, former U.S. Ambassador To Russia. The movie covers the political machinations in Moscow just before the start of the war and presents Stalin's Russia in a very favorable light. So much so, that the movie was cited years later by the House Un-American Activities Commission and was largely responsible for the screenwriter, Howard Koch being Blacklisted. Written by E. Barry Bruyea <siber@bigfoot.com>

Plot Summary | Add Synopsis

Taglines:

One American's Journey into the Truth

Genres:

Drama | History | War

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| | | |

Release Date:

22 May 1943 (USA)  »

Also Known As:

Misión en Moscú  »

Box Office

Budget:

$1,516,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print) | (copyright length)

Sound Mix:

(RCA Sound System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

This film was often mentioned during the 1947 House Un-American Activities Committee (HUAC) in its investigation of alleged Communist "infiltration" of the motion picture industry and was chiefly responsible for the blacklisting of screenwriter Howard Koch. Warner Bros. studio head Jack L. Warner defended the picture as being "made when our country was fighting for its existence, with Russia as one of our allies . . . The picture was made only to help a desperate war effort and not for posterity." See more »

Goofs

Davies is shown returning to America on board ship when he receives word of the signing of the German-Soviet non-aggression pact, and upon his return home eventually meets with several congressmen and tells them that war can be expected sometime within the "next two months", either in late August or early September. However, the German-Soviet pact was signed on August 22-23, 1939, and war began just nine days later, on September 1. Davies could not possibly have talked to the congressmen about a "two-month" timetable for war to come in late August or early September if he had reached the United States after the signing of the pact. See more »

Quotes

Freddie: What I can't figure out if they're protecting us or watching us.
Ambassador Joseph E. Davies: Maybe a little of both.
See more »

Crazy Credits

Opens with a card reading: We have the honor to present the former Ambassador from the United States to the Soviet Union, the Honorable Joseph E. Davies, who will address you prior to the showing of the film made from his important book, "Mission to Moscow". In the picture itself, Mr. Walter Huston portrays Mr. Davies during those vital years encompassed in his now significant report to this nation. And now, Mr. Davies: [Mr. Davies gives a presentation on the actual events leading up to these events, and to this film.] See more »

Connections

Featured in Warner at War (2008) See more »

Soundtracks

For You
(1930) (uncredited)
Music by Joseph A. Burke
Played as dance music at the ball given for Davies
See more »

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User Reviews

 
Wreckers and saboteurs
4 June 2013 | by (Los Angeles) – See all my reviews

The flaws in this film are gigantic and obvious. The scenes of the show trials, to take one example, not only falsify history, but come off as so flat and awkward as to make it impossible to believe any of the confessions. Which makes me wonder: was this just bad writing by an otherwise gifted screenwriter or deliberate sabotage?

We know this much: that Davies had final script approval. It shows: he is in every scene and given the last word on every subject. You can imagine him standing over Howard Koch's shoulder, insisting on rewriting this scene and adding extra touches to another. All this must have been maddening to a professional writer at the pinnacle of his career.

Which leads to my pet theory: that Koch exacted his revenge by making Davies look like a fool. While the film may appear to be painting Davies in a positive light – it would be hard for him not to be at least likable with Walter Huston playing him – a closer viewing depicts him not only as naïve and gullible, but also self-centered and vain.

What else do we make of those scenes – and they keep recurring – in which various Soviet figures tell Davies how insightful, open and honest he was? Davies, of course, never disagrees, but instead launches into another speech in which he assures his friends that he will tell America or the world what's really going on in the Soviet Union. Whether Davies realized it or not, the film shows him as someone who only needs to be tickled under the chin in order to be seduced.

Which brings us back to the show trial scenes. Bukharin did as much as he could to defeat Vyshinsky by admitting as much as he had to in order to save his family but denying whatever else he could, while dropping broad hints that none of what he was saying was true. Koch's script does something similar: the confessions of Radek, Bukharin, Yagoda and the rest sound canned and unconvincing and the defendants themselves look more like defeated party functionaries than conspirators. Which is, of course, the truth—it's just not advertised as such.


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