Following three flops in a row, Broadway stage producer Willard Samson is told by wealthy divorcée Donna Davis that she will finance a show but only if she is the star. The fact she can ... See full summary »
Loosely inspired from Gauguin's life, the story of Charles Strickland, a middle-aged stockbrocker who abandons his middle-classed life, his family, his duties to start painting, what he has... See full summary »
An American tanker is sunk by a German U-boat and the survivors spend eleven days at sea on a raft. They're next assigned to the liberty ship "Sea Witch" bound for Murmansk through the sub-stalked North Atlantic.
Humphrey van Weyden, a writer, and fugitives Ruth Webster and George Leach have been given refuge aboard the sealer "Ghost," captained by the cruel Wolf Larsen. The crew mutinies against ... See full summary »
Edward G. Robinson,
When the bride's mother is supposedly swindled out of her money by a spurned suitor, the groom's father orchestrates a scheme of his own to set things right. He is aided by a cabaret singer... See full summary »
In June 1941, famed American symphony conductor John Meredith (Robert Taylor) is touring Soviet Russia with his manager Hank (Robert Benchley) when they go to a small rural town where famed... See full summary »
"Mission to Moscow" was made at the behest of F.D.R. in order to garner more support for the Soviet Union during WWII. It was from the book by Joseph E. Davies, former U.S. Ambassador To Russia. The movie covers the political machinations in Moscow just before the start of the war and presents Stalin's Russia in a very favorable light. So much so, that the movie was cited years later by the House Un-American Activities Commission and was largely responsible for the screenwriter, Howard Koch being Blacklisted. Written by
E. Barry Bruyea <email@example.com>
This film was often mentioned during the 1947 House Un-American Activities Committee (HUAC) in its investigation of alleged Communist "infiltration" of the motion picture industry and was chiefly responsible for the blacklisting of screenwriter Howard Koch. Warner Bros. studio head Jack L. Warner defended the picture as being "made when our country was fighting for its existence, with Russia as one of our allies . . . The picture was made only to help a desperate war effort and not for posterity." See more »
Davies is shown returning to America on board ship when he receives word of the signing of the German-Soviet non-aggression pact, and upon his return home eventually meets with several congressmen and tells them that war can be expected sometime within the "next two months", either in late August or early September. However, the German-Soviet pact was signed on August 22-23, 1939, and war began just nine days later, on September 1. Davies could not possibly have talked to the congressmen about a "two-month" timetable for war to come in late August or early September if he had reached the United States after the signing of the pact. See more »
Opens with a card reading: We have the honor to present the former Ambassador from the United States to the Soviet Union, the Honorable Joseph E. Davies, who will address you prior to the showing of the film made from his important book, "Mission to Moscow". In the picture itself, Mr. Walter Huston portrays Mr. Davies during those vital years encompassed in his now significant report to this nation. And now, Mr. Davies: [Mr. Davies gives a presentation on the actual events leading up to these events, and to this film.] See more »
This movie is a piece of fawning, pro-Stalin propaganda. The usual excuse for it, that it reflected patriotic sentiments of the era, can be equally applied to "Triumph of the Will" - there is no excuse for this lying travesty. Fakery follows fakery in this movie - the Ambassador's wife visiting Mrs. Molotov's perfume factory, and declaring the products superior to those of Paris; the Ambassador shaming his properly security-conscious subordinate by declaring it unthinkable that anyone in the Embassy would say anything that they'd be reluctant to say to Stalin's face; the buxom Soviet peasant woman chiding the Ambassador for effete American reluctance to have their women go down the coal mines the way "liberated" Russian women do. And these are only the comic relief. The serious scenes, such as the Moscow show trials, are just beyond pathetic, with the Ambassador commenting that the well-rehearsed confessions of the victims were uncoerced. In its whole-hearted praise of one of the bloodiest tyrants of the twentieth century, this movie is too corrupt and infuriating even to be funny.
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