The Mad Ghoul (1943)A university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon him into a murdering ghoul. Director:James P. Hogan |
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The Mad Ghoul (1943)A university chemistry professor experiments with an ancient Mayan gas on a medical student, turning the would-be surgeon him into a murdering ghoul. Director:James P. Hogan |
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David Bruce | ... | |
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Evelyn Ankers | ... |
Isabel Lewis
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George Zucco | ... |
Dr. Alfred Morris
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Robert Armstrong | ... |
Ken McClure
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Turhan Bey | ... |
Eric Iverson
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| Milburn Stone | ... |
Macklin
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Andrew Tombes | ... |
Eagan
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Rose Hobart | ... |
Della
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Addison Richards | ... |
Gavigan
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| Charles McGraw | ... |
Garrity
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Gus Glassmire | ... |
Caretaker
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Curious about the effects of an ancient Mayan nerve gas on humans, a scientist exposes his young assistant and turns him into a mindless ghoul that must have human heart substance to live. Written by Jeremy Lunt <durlinlunt@acadia.net>
Many reviewers write here about how the professor is smitten with the female role of this film. Well, I suggest we all have another look, and realize that the professor is actually madly in love with Ted, her fiancée. This very clever B film is all about possessive manipulation and unrequited lust... and the thief of hearts is a metaphor for the clearly gay professor lusting after enthusiastic cute blond Ted. It is indeed fortunate that the woman instead loves Eric the piano player, and all this allows the professor to repeatedly use and abuse every character in the film for his own ends... mainly which involve manipulating Ted for his own grisly needs. It is quite and evil premise and well carried out, and as a gay theme of use and abuse it is one of the most definite explicit examples of Hollywood's demonising of a cultured gay character. See the film again and realize the real evil of the film is Hollywood once again telling a straight audience how horrible gay men are and how nice bland people can be used. The film is quite creepy and well worth a look.