7 items from 2014
Top twenty. Now we start to see the more widely recognizable films that people have some emotional attachment to. World War II gets a few mentions in this portion of the list, but this is one of the more diverse sections, overall. We get a mention of the Boer War, the Algerian War, and the Korean War, as well as the only movie about the American Civil War on this list.
20. The Life and Death of Colonel Blimp (1943)
Conflict: Boer War, World War I, World War II
The only film on the list that spans multiple wars is also probably the least battle-focused film on the list. The Life and Death of Colonel Blimp is told through an extended flashback, following Major-General Clive Wynne-Candy (Roger Livesey) as he rises through the ranks of the British military from war to war. The flashback is »
- Joshua Gaul
This weekend, the Austin Film Society has booked a 35mm print of Douglas Sirk's striking melodrama All That Heaven Allows for their new "Rebel Rebel" series at the Marchesa. One of my all-time favorites, the film screens tonight and Sunday afternoon. It is being released on Blu-ray next month from the fine folks at The Criterion Collection, but it's genuinely exciting to finally have a chance to finally see it projected on the big screen. On Monday evening, Afs is teaming up with The Nature Conservancy for a screening of Hanna Ranch, a documentary about a fourth-generation cattle ranch. Emily Hanna will be in attendance for the film. Powell and Pressburger's 1943 feature The Life And Death Of Colonel Blimp is screening Thursday evening at the Marchesa. The screening kicks off a new Essential Cinema series in June, "Films Of World War I."
The Paramount Summer Classic Film Series »
- Matt Shiverdecker
Even back when Britain was an industrial nation, films about industry were relatively rare: audiences who worked on assembly lines presumably wanted to look at something more glamorous on their night at the pictures. In Saturday Night and Sunday Morning (1960), Albert Finney snarled, "Don't let the bastards grind you down," a neat encapsulation of the working man's political philosophy, whereas I'm Alright Jack (1959) took a dismayed view of the hostile stand-off between Capital and Labor. That Boulting Brothers satire may have adopted a "plague on both your houses" stance, but in fact its sympathy was with management.
The Agitator (1945) is the product of a gentler age: it tries to be sympathetic to everybody, but again there's a hidden conservative bias. Still, as the product of a generation who had just won the war and were looking forward, some of them, to a bright socialist future of free education and health care, »
- David Cairns
Written and directed by Wes Anderson
More than perhaps any other director, the work of Ernst Lubitsch has been the most noticeable influence on Wes Anderson’s style. Though the great German-American writer-director, most prolific in the 1930s and 1940s, was never quite so aesthetically bold in the look of his sets, he too was preoccupied with meticulous staging for comedy within his chosen locales, be they the titular Shop Around the Corner or the Parisian hotel of Ninotchka; The Grand Budapest Hotel is set in a fictional European country, the Republic of Zubrowka, another Lubitsch trait from works like The Merry Widow and The Love Parade, though The Shop Around the Corner happens to be set in the city Anderson’s mountaintop lodging house takes its name from. He garnered the descriptor of ‘the Lubitsch touch’ thanks to the moving sincerity that »
- Josh Slater-Williams
In the dog days of the second world war, the heart of British cinema could be found inside a three-room flat off the Marylebone Road in London. This, from 1942-1947, was the headquarters of film-makers Michael Powell and Emeric Pressburger, and the production office for such pictures as A Matter of Life and Death, The Red Shoes and The Life and Death of Colonel Blimp. In the event of air raids, the office came equipped with a set of camp beds.
Now the flat at Dorset House has been commemorated with an English Heritage blue plaque, honouring the work of Powell and Pressburger's film company, the Archers. Attending the unveiling were Powell's widow, the Oscar-winning American editor Thelma Schoonmaker, »
- Xan Brooks
Wolf of Wall Street director pays tribute to 'extraordinary' work of British film-making greats honoured by English Heritage
Following his visit to the Bafta awards, the film director attended a ceremony on Monday unveiling the English Heritage blue plaque on the duo's London office.
Michael Powell and Emeric Pressburger were behind some of the most celebrated British films of their era such as The Life and Death of Colonel Blimp, Black Narcissus, The Red Shoes and A Matter of Life and Death.
The plaque has been placed outside the office at Dorset House in Gloucester Place, Marylebone, which served as a base for their production company, The Archers, from 1942 to 1947.
In keeping with the austerity of those days, their office was sparsely decorated, with camp beds in case of air-raid warnings, »
Turner Classic Movies (TCM) will open the 2014 edition of the TCM Classic Film Festival with the world premiere of a brand new restoration of the beloved Rodgers & Hammerstein musical Oklahoma! (1955). TCM’s own Robert Osborne, who serves as official host for the festival, will introduce Oklahoma!, with the film’s star, Academy Award®-winner Shirley Jones, in attendance. Vanity Fair will also return for the fifth year as a festival partner and co-presenter of the opening night after-party. Marking its fifth year, the TCM Classic Film Festival will take place April 10-13, 2014, in Hollywood. The gathering will coincide withTCM’s 20th anniversary as a leading authority in classic film.
In addition, the festival has added several high-profile guests to this year’s lineup, including Oscar®-winning director William Friedkin, who will attend for the screening of the U.S. premiere restoration of his suspenseful cult classic Sorcerer (1977); Kim Novak, who »
- Melissa Thompson
7 items from 2014
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