After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
In the Paris of the late 19th century, Louise, wife of a general, sells the earrings her husband gave her as a wedding gift: she needs money to cover her debts. The general secretly buys ... See full summary »
Vittorio De Sica
Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war." Written by
According to the directors, the idea for the film did not come from the comic strip by David Low, but from a scene cut from their previous film, One of Our Aircraft Is Missing (1942), in which an elderly member of the crew tells a younger one, "You don't know what it's like to be old." See more »
Candy's scar is clearly visible on his upper lip when he is in his room at the convalescent hospital, but is obscured by his newly grown mustache moments later when he goes to congratulate Kretschmar-Schuldorff. See more »
Do you remember, Clive, we used to say: "Our army is fighting for our homes, our women, and our children"? Now the women are fighting beside the men. The children are trained to shoot. What's left is the "home." But what is the "home" without women and children?
See more »
The lead actors' names are sewn onto a tapestry-like picture, written on scrolls. This opening credits "needlework tapestry" was completed by the Royal College of Needlework. See more »
I'm not sure what you expect; but I'm pretty sure it isn't this.
We open in the early days of World War II with some motorcyclists speeding through the English countryside to some jaunty music. (The score, by the way, is a fine one - by Allan Gray, a composer I don't think I've heard of in any other context.) Very little is explained about the motorcyclists' quest and we don't get the full significance of the opening events until the the film's conclusion, after we've gone back to the end of the Boer War and seen events narrated from there. There's no sudden revelation at the end: it just slowly dawns on us why the motorcycle chase was so very important. I found, also, that the title preyed on my mind through most of the film's running time. It's `The Life AND DEATH of Colonel Blimp'. Why `death'?
It's a lovely, sad story with a pronounced moral, even though it isn't at all clear, even on reflection, what the moral is. Does Clive Candy really become out of date and out of touch? If so, when? There doesn't seem to be any particular moment; or rather, there are many moments - he's a character who always gives the impression of having only just ossified.
There's a lot of humour beneath the sadness - I'm particularly fond of the Battle of the Orchestra, which takes place late last century, where Candy keeps bribing the musicians to play a piece by Johann Strauss, while a German officer, who loathes the piece, offers fresh bribes to get them to stop. The German officer is, of course, an omen. Strauss is much too merry for the Germany that's to come.
36 of 46 people found this review helpful.
Was this review helpful to you?