After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
After a masterful performance as Othello in a London theater, Ralph Richardson is asked for an autograph by Fred, his dresser. A short while later, Fred has joined the Fleet Air Arm (Fly ... See full summary »
Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war." Written by
The tapestry seen in the opening credits was made by the members of The Royal College of Needlework. See more »
When the two dogs are let into the London house, one of the dogs can be seen at the top of the stairs answering a call of nature. See more »
I was awfully sorry to hear about your leg.
Jumping Jehosaphat! They're both there!
What the hell did you think I was standing on?
They told me in Bloemfontein that they cut off your left leg.
Can't have, old boy. I'd have known about it.
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The lead actors' names are sewn onto a tapestry-like picture, written on scrolls. This opening credits "needlework tapestry" was completed by the Royal College of Needlework. See more »
I love this film because it asks more questions than it answers. It takes a character that I would not be naturally sympathetic to and explores his life in the context of the war and politics of his time. The films bright colour constantly reinforces the message that the world can not be represented in the black and white of right and wrong. It is more modernist but less self-concious than a host of films that appeared in the 50's and 60's. James Joyce would have loved this film had he seen it. I know that no two people ever come away with the same memories of the film. Remember that this film was made in Britain during a war that the Nazis might have won. It still engages the viewer in a two-way experience that I believe has never been matched. It is true "open cinema" despite the criticisms that others may have. I still do not know what a lot of the film is trying to say, and I hope I never get all the answers. Ciaran Cregan 23.05.01
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