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The Life and Death of Colonel Blimp (1943)

 -  Drama | Romance | War  -  4 May 1945 (USA)
8.1
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Ratings: 8.1/10 from 8,594 users  
Reviews: 77 user | 88 critic

From the Boer War through World War II, a soldier rises through the ranks in the British military.

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Title: The Life and Death of Colonel Blimp (1943)

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Cast

Cast overview, first billed only:
...
...
Edith Hunter / Barbara Wynne / Johnny Cannon
Anton Walbrook ...
Roland Culver ...
Col. Betteridge
James McKechnie ...
Spud Wilson
Albert Lieven ...
von Ritter
Arthur Wontner ...
Embassy Counsellor
David Hutcheson ...
Hoppy
...
Frau von Kalteneck
...
Murdoch
Harry Welchman ...
Major Davies
Reginald Tate ...
van Zijl
A.E. Matthews ...
President of Tribunal
Carl Jaffe ...
von Reumann (as Carl Jaffé)
Valentine Dyall ...
von Schönborn
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Storyline

Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war." Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

A Devil... In A Daring Adventure! See more »

Genres:

Drama | Romance | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

4 May 1945 (USA)  »

Also Known As:

Colonel Blimp  »

Box Office

Budget:

£200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Microphonic Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Early in the film, Clive Candy tells Col. Betteridge that he has been speaking with Arthur Conan Doyle, author of the Sherlock Holmes stories. Betteridge, an avid fan, turns and quotes to his subordinate, Major Plumley: "Lovely evening, my dear Watson..." Plumley is played by Ian Fleming, who earlier portrayed Dr. Watson in Sherlock Holmes' Fatal Hour (1931), Sherlock Holmes and the Missing Rembrandt (1932), The Triumph of Sherlock Holmes (1935), and Murder at the Baskervilles (1937). His Sherlock Holmes, Arthur Wontner, also appears in a small role later in the film. See more »

Goofs

When Spud is tripped over, chairs are in different positions. See more »

Quotes

Clive Candy: The Kaiser spoke - and the Prince of Wales spoke ...
Edith Hunter: Spoke about what?
Clive Candy: Nobody could remember.
See more »

Crazy Credits

The lead actors' names are sewn onto a tapestry-like picture, written on scrolls. This opening credits "needlework tapestry" was completed by the Royal College of Needlework. See more »

Connections

Featured in Arena: A Pretty British Affair (1981) See more »

Soundtracks

The Mill Went Round and Round
Music by Allan Gray
See more »

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User Reviews

 
Not what you expect.
9 December 1999 | by (Canberra, Australia) – See all my reviews

I'm not sure what you expect; but I'm pretty sure it isn't this.

We open in the early days of World War II with some motorcyclists speeding through the English countryside to some jaunty music. (The score, by the way, is a fine one - by Allan Gray, a composer I don't think I've heard of in any other context.) Very little is explained about the motorcyclists' quest and we don't get the full significance of the opening events until the the film's conclusion, after we've gone back to the end of the Boer War and seen events narrated from there. There's no sudden revelation at the end: it just slowly dawns on us why the motorcycle chase was so very important. I found, also, that the title preyed on my mind through most of the film's running time. It's `The Life AND DEATH of Colonel Blimp'. Why `death'?

It's a lovely, sad story with a pronounced moral, even though it isn't at all clear, even on reflection, what the moral is. Does Clive Candy really become out of date and out of touch? If so, when? There doesn't seem to be any particular moment; or rather, there are many moments - he's a character who always gives the impression of having only just ossified.

There's a lot of humour beneath the sadness - I'm particularly fond of the Battle of the Orchestra, which takes place late last century, where Candy keeps bribing the musicians to play a piece by Johann Strauss, while a German officer, who loathes the piece, offers fresh bribes to get them to stop. The German officer is, of course, an omen. Strauss is much too merry for the Germany that's to come.


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