After opening a convent in the Himalayas, five nuns encounter conflict and tension - both with the natives and also within their own group - as they attempt to adapt to their remote, exotic surroundings.
A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
Portrays in warm-hearted detail the life and loves of one extraordinary man. We meet the imposingly rotund General Clive Wynne-Candy, a blustering old duffer who seems the epitome of stuffy, outmoded values. Traveling backwards 40 years we see a different man altogether: the young and dashing officer "Sugar" Candy. Through a series of relationships with three women and his lifelong friendship with a German officer, we see Candy's life unfold and come to understand how difficult it is for him to adapt his sense of military honor to modern notions of "total war." Written by
Michael Powell's golden cocker spaniels Erik and Spangle make their second appearance on film as Clive and Barbara return from their honeymoon. See more »
The position of the two decks of cards on the card table changes from one position at the time the nurse picks up the table to move it to another when she sets it down. See more »
You know that, after the war, we had very bad years in Germany. We got poorer and poorer. Every day retired officers or schoolteachers were caught shoplifting. Money lost its value, the price of everything rose except of human beings. We read in the newspapers that the after-war years were bad everywhere, that crime was increasing and that honest citizens were having a hard job to put the gangsters in jail. Well in Germany, the gangsters finally succeeded in putting the honest citizens in jail.
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The lead actors' names are sewn onto a tapestry-like picture, written on scrolls. This opening credits "needlework tapestry" was completed by the Royal College of Needlework. See more »
I love this film because it asks more questions than it answers. It takes a character that I would not be naturally sympathetic to and explores his life in the context of the war and politics of his time. The films bright colour constantly reinforces the message that the world can not be represented in the black and white of right and wrong. It is more modernist but less self-concious than a host of films that appeared in the 50's and 60's. James Joyce would have loved this film had he seen it. I know that no two people ever come away with the same memories of the film. Remember that this film was made in Britain during a war that the Nazis might have won. It still engages the viewer in a two-way experience that I believe has never been matched. It is true "open cinema" despite the criticisms that others may have. I still do not know what a lot of the film is trying to say, and I hope I never get all the answers. Ciaran Cregan 23.05.01
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