Comedy duo Key & Peele make their big-screen debut in Keanu. Read up on the stolen-cat comedy and this week's other new releases in our In Theaters section, where you can watch trailers, buy tickets, and more.
Selina lived well until her father Simeon died. Her aunts sold the estate and put her in a boarding school. As an adult she wants to be a teacher in farming country. She falls in love with ... See full summary »
William A. Wellman
Helen Ferguson, pregnant, penniless and dumped by her boyfriend Steve Morley, takes the identity of the pregnant Patrice Harkness, when she and her husband are killed in a train crash. The ... See full summary »
Sassy Dixie Daisy is the hot new attraction at a former opera house that's been turned into a burlesque theater. She's popular with the customers, although not with Lolita La Verne, a stuck-up diva who was hoping she'd get the top spot. Also complicating matters is the return of the Princess Nirvena, the show's former star who once had a fling with the boss. When the Princess blackmails her way into the top spot, Dixie is none too pleased. When both Lolita and the Princess are murdered, Dixie becomes a prime suspect. She then sets up a trap to nail the real killer. Written by
Daniel Bubbeo <firstname.lastname@example.org>
A studio plot synopsis indicates that the film originally contained the following opening scene: Burlesque dancers "Dixie Daisy" and "Gee Gee Graham" perform in Columbus, Ohio. While eating breakfast in a cafeteria one morning they read the tea leaves in the bottom of their cups, and see a trip and violent death predicted for their future. Just then Dixie receives a telegram from burlesque impresario "S.B. Foss" inviting her to perform at his theater in New York. Dixie makes her debut a week later. As this scene was not included in the viewed print, and is not referred to in reviews, it may have been cut prior to the film's press preview. See more »
Dixie comes off stage in one costume and goes to the dressing room where the body is found. When the performers are questioned by the police, Dixie is in an entirely different costume. See more »
What's the matter with comics?
I went into show business when I was seven years old. Two days later the first comic I ever met stole my piggy bank in a railroad station in Portland. When I was 11 the comics were looking at my ankles. When I was 14 they were...just looking. When I was 20 I'd been stuck with enough lunch checks to pay for a three-story house. Naw, they're shiftless, dame-chasing, ambitionless...
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I'd never seen this film, and now I'm sorry it's taken me so long to catch up with it. It's a wonderfully rich look at life in a burlesque house, with Barbara Stanwyck as the star stripper and a great supporting cast of chorus girl types (including the incomparable Iris Adrian as her best friend). Stanwyck sings, I think for the only time on film, and dances with an impressive athleticism. And the scenes backstage and during the police interrogation, with the performers in a variety of outlandish costumes, have a wonderfully surreal quality reinforced by the films hermetic qualities (even the exteriors were shot on the sound stage).
But what's really wonderful about the film is the depiction of the burlesque people as an extended family who overcome their differences and pull together when the future of their theatre is threatened. With the preponderance of women in the dressing room, the film is also surprisingly ahead of its time in its depiction of female bonding. It really deserves the same cult status as Dorothy Arzner's "Dance, Girl, Dance."
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