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An Itch in Time (1943)

Elmer threatens to give his dog a bath if he doesn't stop scratching, but the poor pooch is the victim of a hungry flea whose tools of the trade include pickaxes and dynamite.

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Cast

Uncredited cast:
...
A. Flea (singing voice) (uncredited)
...
Dog / Cat / A. Flea - screaming (voice) (uncredited)
Arthur Q. Bryan ...
Elmer Fudd (voice) (uncredited)
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Storyline

Elmer threatens to give his dog a bath if he doesn't stop scratching, but the poor pooch is the victim of a hungry flea whose tools of the trade include pickaxes and dynamite.

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Certificate:

Approved | See all certifications »
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Details

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Release Date:

4 December 1943 (USA)  »

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(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The gag of the dog stopping from dragging his rear to say, "Hey, I'd better cut this out. I might get to like it," was originally intended to be left out of the final cut and used in the studio's yearly gag reel. Somehow it wasn't, and passed the scrutiny of the Film Board censors to be left in the cartoon. See more »

Quotes

[last lines]
Cat: Well... now I've seen everything.
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Soundtracks

Wiegenlied, Op. 49, No. 4
(uncredited)
aka "Brahms' Lullaby"
Music by Johannes Brahms
Sung by the flea into the dog's ear
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Frequently Asked Questions

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User Reviews

 
A show about nothing!
4 November 2008 | by (Lincoln, England) – See all my reviews

Bob Clampett's 'An Itch in Time' milks seven minutes of crazy action out of a very small premise. Elmer Fudd tells his dog that if he scratches himself just once more that he will be given a dreaded bath. Unfortunately for the dog, a relentless flea makes it all but impossible to stop from scratching. The cartoon switches between the flea's progress inside the dog's fur and the dog's desperate attempts to cope with it. In a great sequence that really captures the frustration of an itch that can't be scratched, the dog changes colour from brown to blue to red to polka dotted to plaid! It sounds ludicrously surreal but it perfectly evokes the indescribable feeling of an itch in a way only Clampett could. There are several other elements which make 'An Itch in Time' pure Clampett. There's the grotesque concept itself, which leads to some graphic scenes of the flea munching on the dog's flesh. There's the unrestrained violence that rears its head in any scene featuring the cat. Most notably, there's the dirty jokes including a huge shot of the dog's behind which causes the flea to wolf-whistle and a hysterical sequence in which the dog attempts to scratch himself by dragging his backside along the floor. He momentarily breaks off to address the audience: "Hey, I better cut this out. I may get to like it"! With a very limited concept, Clampett manages to make 'An Itch in Time' a unique, minutiae-based cartoon. Like an early episode of 'Seinfeld', 'An Itch in Time' is practically about nothing but very funny with it.


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