The owner of a seedy dive and brothel on a South Seas island meets two treasure hunters looking for a sunken ship with a $3-million cargo of gold. She persuades them to let her in on the ... See full summary »
A documentary about the "King of B-Movies", Edgar G. Ulmer. It includes interviews with well-known filmmakers Roger Corman, Peter Bogdanovich, Wim Wenders, Joe Dante, and Ulmers's daughter, Arianne Ulmer.
A young, classical-trained musician, Peter Crane, transfers from the Conservatory to Clinton High School, where he finds his music in conflict to that of the high school's world of jive and... See full summary »
The owner of a seedy dive and brothel on a South Seas island meets two treasure hunters looking for a sunken ship with a $3-million cargo of gold. She persuades them to let her in on the deal. Complications ensue because of intrigue, double-crosses and an approaching violent monsoon. Written by
The 2004 National Film Museum Incorporated print is missing the director credit as well as 8 minutes of running time. See more »
The sky in back of a boat, an obvious backdrop, has visible creases. See more »
Now remember, I want a lot of costumers around those roulette tables tonight. You girls didn't do so well last time. So keep the wheel spinning and the ivories rolling and remember - all rough stuff is taboo.
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Gale Sondergaard is the mistress of -- well, let's say it's a gambling house. It's a gambling house filled with girls. Sondergaard looks great and is fun in the role. Some of her employees are pretty and also act well. Veda Ann Borg, for one, is always good for some fun. Some of the girls are pretty. A few of the bit players, as was the case in the lesser studios, look like basset hounds with long hair.
John Carradine is kind of wasted in the role of the hero. He's fine but this was not his forte. Sidney Toler, so upstanding as Charlie Chan, is not nice here at all.
Edgar G. Ulmer does a fine job with this low-budget affair. I had never heard of it, and I thought I'd seen all his movies.
It's most fun when it stays within the genre, ruled over by Marlene Dietrich, of the good woman with a bad reputation working in a place with a terrible reputation. When it turns to adventure, it gets a little tiresome. But it's not a bad movie.
And Ulmer may have been the director who best, and most frequently, used classical and operatic music in his movies. Sure, some did when they were doing biopics of composers. But even here, we have an excellent score.
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