I Walked with a Zombie (1943) - News Poster


Four Faces West

Westerns are all about values: good and bad, law and lawlessness, etc. Joel McCrea and Frances Dee’s ‘bad man’ saga isn’t faith based, exactly, but it’s great for humanitarian values, the simple notion that the good in people should be encouraged. And one important detail may make it unique. Hint: John Milius might be strongly prejudiced against this picture.

Four Faces West


Kl Studio Classics

1948 / B&W / 1:37 flat Academy / 89 min. / Street Date December 19, 2017 / available through Kino Lorber / 29.95

Starring: Joel McCrea, Frances Dee, Charles Bickford, Joseph Calleia, William Conrad.

Cinematography: Russell Harlan

Film Editor: Edward Mann

Original Music: Paul Sawtell

Written by C. Graham Baker, Teddi Sherman, William & Milarde Brent from the novel Pasó por aquí by Eugene Manlove Rhodes

Produced by Vernon E. Clark, Harry Sherman

Directed by Alfred E. Green

Faith-based westerns exist, but much more numerous are lightly inspirational sagebrush pictures that deal
See full article at Trailers from Hell »

Crypt of Curiosities: The Cat People Films

  • DailyDead
Next to Universal, few studios have had such a big impact on horror than Rko Radio Pictures. Started in 1927, Rko was the first studio founded to make exclusively sound films, a then-brand-new invention that served as a major draw for the studio. Rko’s life was relatively short (it was killed just 30 years after forming), but during their time, they put out a seriously impressive number of classics, including Top Hat, It’s a Wonderful Life, The Informer, and most notably, Citizen Kane.

Of course, Rko didn’t shy away from horror. While their output wasn’t nearly as prolific as, say, Universal’s, it was still quite impressive, boasting some of the most formative and important horror films of old Hollywood. Rko saw the release of a few all-time classics, including I Walked With a Zombie, The Thing From Another World, King Kong, and the topic of today’s Crypt,
See full article at DailyDead »

The Vampire’s Ghost

Is it a classic? Well, not exactly, but it’s also not a typical disappointing ’40s Z-picture. Screenwriter Leigh Brackett pens a nice twist on the Dracula motif, and actor John Abbott is genuinely impressive as what is surely the most low-key vampire on the books. Plus a sexy dance from Adele Mara!

The Vampire’s Ghost


Olive Films

1945 / B&W / 1:37 flat Academy / 59 min. / Street Date October 31, 2017 / available through the Olive Films website / 29.98

Starring: John Abbott, Charles Gordon, Peggy Stewart, Grant Withers, Emmett Vogan, Adele Mara, Roy Barcroft, Martin Wilkins, Zack Williams.

Cinematography: Robert Pittack, Ellis Thackery

Special Effects: Howard and Theodore Lydecker

Written by John K. Butler, Leigh Brackett, story by Brackett

Associate Producer: Rudolph E. Abel

Directed by Lesley Selander

When Republic dabbled in genre work away from their serials and westerns, the result was often embarrassing. One horror title due for an upward bump in
See full article at Trailers from Hell »

Images & Details for New Hardcover It’S Alive: Classic Horror And Sci-fi Movie Posters From The Kirk Hammett Collection

  • DailyDead
He's known by millions of fans as the lead guitarist for the heavy metal band Metallica, but Kirk Hammett also has a deep passion for horror and sci-fi, which is reflected in his massive collection of posters for classic and cult films from both genres. Currently on display at the Peabody Essex Museum in Salem, Massachusetts, Hammett's impressive collection is also featured in a new hardcover book called It's Alive that's out now from Skira Rizzoli, and we have a look at some of the eye-popping posters included within the pages of the treasured collection.

Press Release: Uttered in several Frankenstein films since 1931, and titling Larry Cohen’s 1974 horror classic, “It’s alive!” is one of those kitschy, catchy phrases that become part of the vernacular.

It’S Alive: Classic Horror And Sci-fi Movie Posters From The Kirk Hammett Collection—in both exhibition and book form—offers an unconventional look
See full article at DailyDead »

Turner Classic Movies Is Bringing The Horror In October

(Aotn) Turner Classic Movies is bringing the horror next month. Starting on October 1st the channel will be bringing back movies such as the original Cat People and Dracula. Fan’s of classic movies will surely not want to miss this.

If you have ever wanted to know where the band White Zombie got there name be sure to tune in on Halloween morning at 8:30 Am. The Universal Monster’s are sprinkled throughout this marathon and will hopefully delight old school horror fans.

Complete Schedule Below:

Sunday October 1, 2017

8:00 Pm Dracula (1931) 9:30 Pm Dracula’s Daughter (1936) 11:00 Pm Son Of Dracula (1943)

Monday October 2, 2017

12:30 Am Nosferatu (1922)

Tuesday October 3, 2017

8:00 Pm Frankenstein (1931) 9:30 Pm Bride Of Frankenstein (1935) 11:00 Pm The Mummy (1932)

Wednesday October 4, 2017

12:30 Am The Wolf Man (1941) 2:00 Am Island Of Lost Souls (1933) 3:30 Am The Black Cat (1934) 4:45 Am The Invisible Man (1933)

Sunday October 8, 2017

2:00 Am Night
See full article at Age of the Nerd »

NYFF55 Revivals Includes Restored Films By Godard, Hou, Costa, Tarkovsky & More

It’s a given that their Main Slate — the fresh, the recently buzzed-about, the mysterious, the anticipated — will be the New York Film Festival’s primary point of attraction for both media coverage and ticket sales. But while a rather fine lineup is, to these eyes, deserving of such treatment, the festival’s latest Revivals section — i.e. “important works from renowned filmmakers that have been digitally remastered, restored, and preserved with the assistance of generous partners,” per their press release — is in a whole other class, one titanic name after another granted a representation that these particular works have so long lacked.

The list speaks for itself, even (or especially) if you’re more likely to recognize a director than title. Included therein are films by Andrei Tarkovsky (The Sacrifice), Hou Hsiao-hsien (Daughter of the Nile, a personal favorite), Pedro Costa (Casa de Lava; trailer here), Jean-Luc Godard (the rarely seen,
See full article at The Film Stage »

Dark Aspects: Juliana Rojas & Marco Dutra Discuss "Good Manners"

  • MUBI
The Brazilian filmmakers Juliana Rojas and Marco Dutra have been working together for over a decade now. After an award-winning career in short films, their feature debut Hard Labor (2011) world premiered at Cannes Film Festival in the Un Certain Regard section. Following this, the two writer-directors pursued their solo careers, continuing to explore the genre of horror and musical. I interviewed the duo about their long-awaited reunion for their new film Good Manners (2017), which will have its world premiere as part of the International Competition at the 70th Locarno Film Festival.Notebook: The two of you have been working together for over a decade now. How do you understand the development of this long time partnership?We met in film school when we were at the end of our teens. What first brought us together was our common interest in musicals, fantasy and horror films. These are the kinds of
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Rushes. George A. Romero & Martin Landau, Choreographing Rape, Latest Trailers

Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI.NEWSOver the weekend we lost two greats: Filmmaker George A. Romero, best known for inventing the modern version of all things zombie, and actor Martin Landau. Patton Oswalt has pointed out that a 19-year-old Romero worked as a pageboy on North by Northwest, Landau's second movie.The Academy of Motion Pictures Arts and Sciences has again added more names to its membership, and this latest batch includes even more unexpected additions from the world of international art cinema, including directors Pedro Costa, Lav Diaz, Ann Hui, Alejandro Jodorowsky, Kira Muratova, Johnnie To and Athina Rachel Tsangari.Did you see that the lineup of the Locarno Film Festival has been announced? With a huge retrospective devoted to Cat People director Jacques Tourneur and a competition including new films by Wang Bing, F.J. Ossang, Ben Russell,
See full article at MUBI »

George A Romero and the meaning of his zombies

Ryan Lambie Jul 18, 2017

As George A Romero sadly passes, we pay tribute to Night Of The Living Dead, and the meaning behind the writer-director's zombies...

In April 1968, director George A Romero threw some reels of film in the trunk of his car and took a long drive from Pittsburgh to New York. The grainy, black-and-white footage stored on those reels was little short of incendiary: then called Night Of The Flesh Eaters, Romero's film would, in time, change horror cinema forever.

See related  Cloak And Dagger director discusses the show's diversity The Defenders: snazzy new poster Jessica Jones season 2: Leah Gibson joins the cast

Shot on a budget of just $114,000, Night Of The Living Dead (as it was later renamed) was aggressively lo-fi: its producer, Russell Streiner, also played one of the film's first victims - he gets the immortal line, "They're coming to get you, Barbara" before
See full article at Den of Geek »

George A. Romero: A Maestro of Zombie Terror Who Created the Ultimate Horror-Movie Metaphor

George A. Romero: A Maestro of Zombie Terror Who Created the Ultimate Horror-Movie Metaphor
The first time I ever saw “Night of the Living Dead,” the low-budget masterpiece of flesh-eating midnight terror directed by George A. Romero, who died on Sunday, it was in 1974. I was at home on a lonely high-school Saturday night watching TV, and at 11:30 p.m. an oddball black-and-white movie that opened in a cemetery just kind of…appeared.

I knew absolutely nothing about it. At that point, low-budget horror films — even those that became notorious and sold a lot of tickets on the drive-in and grindhouse circuit, as “Night of the Living Dead” had — possessed an up-from-the-underground, not-quite-on-the-radar quality. They weren’t all that easy to find (especially if you were 15). Yet here was “Night of the Living Dead” on TV. As I sat there in the darkened living room, the film’s end-of-the-world atmosphere of rapacious anxiety seemed, at that moment, as if it had been fashioned for the small screen, and
See full article at Variety - Film News »

Locarno Festival 2017 Lineup: The Best Summer Movie Counterprogramming You Could Ask For

Locarno Festival 2017 Lineup: The Best Summer Movie Counterprogramming You Could Ask For
The summer movie season may start winding down by early August, but for cinephiles, that’s when the real fun begins. While the fall season festivals — epitomized by the trio of awards season influencers Telluride, Toronto and New York — are a massive platform for major prestige titles at the end of the year, the Locarno Film Festival has the jump on all of them, and provides the most diverse range of cinema you’ll see anywhere in the world.

The 70th edition, announced this week, provides the latest example. No festival embodies the “something for everyone” philosophy better than Locarno, which complements its cinephile-oriented sections with another one exclusively designed for wider audiences. That would be the Piazza Grande, where 16 features screen outdoors for an audience of 8,000 people. But rather than simply showcasing the same summer blockbusters that have dominated the box office, the Piazza features international efforts well suited to pleasing massive crowds,
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Locarno 2017. Lineup

Ben & Joshua Safdie's Good TimeThe lineup for the 2017 festival has been revealed, including new films by Wang Bing, Radu Jude, Raúl Ruiz and others, alongside retrospectives and tributes dedicated to Jean-Marie Straub, Jacques Tourneur and much more.Piazza GRANDEAmori che non sonno stare al mondo (Francesca Comencini, Italy)Atomic Blonde (David Leitch, USA)Chien (Samuel Benchetrit, France/Belgium)Demain et tous les autres jours (Noémie Lvovsky, France)Drei Zinnen (Jan Zabeil, Germany/Italy)Good Time (Ben & Joshua Safdie, USA)Gotthard - One Life, One Soul (Kevin Merz, Switzerland)I Walked with a Zombie (Jacques Tourneur, USA)Iceman (Felix Randau, Germany/Italy/Austria)Laissez bronzer les cadavres (Hélène Cattet & Bruno Forzani, Belgium/France)Lola Pater (Nadir Moknèche, France/Belgium)Sicilia! (Jean-Marie Straub & Danièle Huillet, Italy/France/Germany)Sparring (Samuel Jouy, France)The Big Sick (Michael Showalter, USA)The Song of Scorpions (Anup Singh, Switzerland/France/Singapore)What Happed to Monday (Tommy Wirkola,
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Locarno Festival 2017 line-up revealed

  • ScreenDaily
Locarno Festival 2017 line-up revealed
Atomic Blonde, The Big Sick, The Song Of Scorpions among line-up.

The line-up for the 70th Locarno Festival (Aug 2-12) in Switzerland has been announced.

Scroll down for the full line-up

The 16-strong Piazza Grande strand features 11 world premieres, including opening night film Tomorrow And Every Other Day directed by Noemie Lvovsky and starring Mathieu Amalric, and closing night music doc Gotthard - One Life, One Soul, about the swiss rock band.

Other Piazza Grande films include Atomic Blonde with Charlize Theron, Good Time starring Robert Pattinson, Kumail Nanjiani’s The Big Sick, What Happened to Monday? with Glenn Close and the world premiere of Anup Singh’s The Song of Scorpions, starring Irrfan Khan, who will attend the festival.

Actor and director Mathieu Kassovitz will receive the festival’s 2017 excellence award and Nastassja Kinski will be honoured with a lifetime achievement award.

Michel Merkt (Toni Erdmann, Elle) will receive the festival’s best independent producer award.

See full article at ScreenDaily »

Locarno: Isabelle Huppert as ‘Madame Hyde,’ Fanny Ardant as a Transgender Woman

Locarno: Isabelle Huppert as ‘Madame Hyde,’ Fanny Ardant as a Transgender Woman
Rome – The Locarno Film Festival has unveiled a rich mix of titles spanning many genres for its 70th edition, marked by a strong French presence that will include Isabelle Huppert playing a physics teacher who undergoes a major personality shift in “Madame Hyde” and Fanny Ardant playing a man who has had gender-reassignment surgery in “Lola Pater” (pictured).

Focus Features’ spy pic “Atomic Blonde” with Charlize Theron and Netflix’s sci-fi thriller “What Happened to Monday?” will also screen in Locarno’s open-air, 8,000-seat Piazza Grande, though without talent in tow.

As in past editions, the lineup of the Swiss fest dedicated to indie cinema combines potential discoveries with new works by known festival auteurs such as Noemie Lvovsky, Anup Singh, F.J. Ossang, Wang Bing, Annemarie Jacir, and a posthumous pic by Raul Ruiz. The official competition comprises 14 world premieres, four of which are films by first-time directors.

Lvovsky’s “Tomorrow and Thereafter,” a
See full article at Variety - Film News »

Trailer for ‘Casa de Lava’ Restoration Plunges Us Into Pedro Costa’s Dark, Mysterious World

Before diving deep into the slums of Fontainhas for his epochal trilogy and its follow-up, Horse Money, Pedro Costa applied his lens in a significantly different way — though no less impressively and, I do not think it’s at all unfair to say, far more accessibly. To my mind, the best display of his early talents is 1994’s Casa de Lava, a mystery of mistaken (or forged) identity — and a reworking of Jacques Tourneur’s classic I Walked with a Zombie — grounded in Portugal’s stunning Cape Verde islands. It’s understandable that something from a filmmaker with Costa’s marginalized status would go so long without a U.S. release, yet still disappointing in sight of the entrancing thing itself.

That will change this fall as Grasshopper Film release Casa de Lava on Blu-ray and DVD, in advance of which there is a brief, appropriately enigmatic teaser that gives
See full article at The Film Stage »

They Live by Night

Don’t look to this noir for hardboiled cynicism – for his first feature Nicholas Ray instead gives us a dose of fatalist romance. Transposed from the previous decade, a pair of fugitives takes what happiness they can find, always aware that a grim fate waits ahead. The show is a career-making triumph and a real classic from Rko — which shelved it for more than a year.

They Live by Night


The Criterion Collection 880

1948 / B&W / 1:37 flat Academy / 95 min. / available through The Criterion Collection / Street Date June 13, 2017 / 39.95

Starring: Cathy O’Donnell, Farley Granger, Howard Da Silva, Jay C. Flippen, Helen Craig, Will Wright, William Phipps, Ian Wolfe, Harry Harvey, Marie Bryant, Byron Foulger, Erskine Sanford .

Cinematography: George E. Diskant

Film Editor: Sherman Todd

Original Music: Leigh Harline

Written by Charles Schnee, Nicholas Ray from the novel Thieves Like Us by Edward Anderson

Produced by John Houseman

Directed by Nicholas Ray
See full article at Trailers from Hell »

TCM Remembers Lovely and Talented Brunette of Studio Era

Frances Dee movies: From 'An American Tragedy' to 'Four Faces West' Frances Dee began her film career at the dawn of the sound era, going from extra to leading lady within a matter of months. Her rapid ascencion came about thanks to Maurice Chevalier, who got her as his romantic interested in Ludwig Berger's 1930 romantic comedy Playboy of Paris. Despite her dark(-haired) good looks and pleasant personality, Dee's Hollywood career never quite progressed to major – or even moderate – stardom. But she was to remain a busy leading lady for about 15 years. Tonight, Turner Classic Movies is showing seven Frances Dee films, ranging from heavy dramas to Westerns. Unfortunately missing is one of Dee's most curious efforts, the raunchy pre-Coder Blood Money, which possibly features her most unusual – and most effective – performance. Having said that, William A. Wellman's Love Is a Racket is a worthwhile subsitute, though the
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Archer Dreamland Review: Sleepers Wake

Me: Did Adam Reed deliver another solid episode in Archer Season 8 Episode 5?

Me: Yes he did, other Robin. Yes he did.

With fantastic storytelling, great character moments and a really fun cameo, Adam Reed continues to craft a fascinating world in Dreamland.

The storytelling in Archer Season 8 is absolutely stellar. It is so incredibly intricate and precise. Somehow, in five episodes, Archer has managed to keep a number of stories moving, piquing interest and dropping reminders at the perfect times.

The overarching plot of Woodhouse's death is never really far from Archer's mind, so much so that he continues to mention it every now and then. However, he finds himself hopelessly mired in a ridiculous, messy rivalry.

I'm sure that the rivalry between Trexler and Mother/Malory will turn out to be related to Woodhouse's death somehow. In the meantime, though, it manages to be silly and convoluted enough
See full article at TVfanatic »

Comedy Horror Movie Get Out Is Funny, Scary, Bloody — and Dead Serious About Racism

Comedy Horror Movie Get Out Is Funny, Scary, Bloody — and Dead Serious About Racism
When Chris Washington and Rose Armitage, his white girlfriend, arrive for a weekend visit with her family in a remote, leafy suburb, Dad tries hard (too hard) to allay any discomfort his guest may be experiencing.

Or to look at it from the other end, Dr. Armitage — he’s a neurosurgeon — is trying to disguise any hint that he and Rose’s mother might themselves be experiencing any discomfort: Chris is their daughter’s first African-American significant other, and Rose hasn’t told them in advance.

Dr. Armitage addresses Chris as “my man” and tells him how much he loved Barack Obama – wished,
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‘Diary of the Dead’ and George A. Romero’s Formal Self-Awareness

Looking back on this still-young century makes clear that 2007 was a major time for cinematic happenings — and, on the basis of this retrospective, one we’re not quite through with ten years on. One’s mind might quickly flash to a few big titles that will be represented, but it is the plurality of both festival and theatrical premieres that truly surprises: late works from old masters, debuts from filmmakers who’ve since become some of our most-respected artists, and mid-career turning points that didn’t necessarily announce themselves as such at the time. Join us as an assembled team, many of whom were coming of age that year, takes on their favorites.

For spanning half a century and six films to date, George A. Romero’s Dead series could reasonably be labeled the most ambitious single-auteur franchise in horror. Beginning with Night of the Living Dead’s release in
See full article at The Film Stage »
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