| James Ellison | ... | Wesley Rand | |
| Frances Dee | ... | Betsy Connell | |
| Tom Conway | ... | Paul Holland | |
| Edith Barrett | ... | Mrs. Rand | |
| James Bell | ... | Dr. Maxwell | |
| Christine Gordon | ... | Jessica Holland | |
| Theresa Harris | ... | Alma - Maid (as Teresa Harris) | |
| Sir Lancelot | ... | Calypso Singer | |
| Darby Jones | ... | Carrefour | |
| Jeni Le Gon | ... | Dancer (as Jeni LeGon) | |
| rest of cast listed alphabetically: | |||
| Richard Abrams | ... | Clement (uncredited) | |
| Doris Ake | ... | Black Friend of Melise (uncredited) | |
| Rita Christiani | ... | Friend of Melise (uncredited) | |
| Vivian Dandridge | ... | Melisse (uncredited) | |
| Alan Edmiston | ... | Job Interviewer (uncredited) | |
| Kathleen Hartsfield | ... | Dancer (uncredited) | |
| Norman Mayes | ... | Bayard (uncredited) | |
| Jieno Moxzer | ... | Sabreur (uncredited) | |
| Clinton Rosemond | ... | Coachman (uncredited) | |
| Arthur Walker | ... | Ti-Joseph (uncredited) | |
| Martin Wilkins | ... | Houngan (uncredited) | |
| Melvin Williams | ... | Baby (uncredited) | |
Directed by | |||
| Jacques Tourneur | |||
Writing credits | ||
| Curt Siodmak | (screenplay) and | |
| Ardel Wray | (screenplay) | |
| Inez Wallace | (original story) | |
| Charlotte Brontë | (novel "Jane Eyre") uncredited | |
Produced by | |||
| Val Lewton | .... | producer | |
Original Music by | |||
| Roy Webb | |||
Cinematography by | |||
| J. Roy Hunt | (director of photography) | ||
Film Editing by | |||
| Mark Robson | |||
Art Direction by | |||
| Albert S. D'Agostino | |||
| Walter E. Keller | |||
Set Decoration by | |||
| A. Roland Fields | (set decorations) (as Al Fields) | ||
| Darrell Silvera | |||
Makeup Department | |||
| Maurice Seiderman | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Dorfman | .... | assistant director | |
Sound Department | |||
| John C. Grubb | .... | recorded by | |
| Terry Kellum | .... | sound re-recordist (uncredited) | |
| James G. Stewart | .... | sound re-recordist (uncredited) | |
Music Department | |||
| C. Bakaleinikoff | .... | musical director | |
Other crew | |||
| Lou L. Ostrow | .... | supervisor (uncredited) | |
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| The Painted Veil | Madame Bovary | Gone with the Wind | Fellini Satyricon | Empire Falls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
The film opens with Betsy Connell (Frances Dee) being interviewed for a home-care nursing position. Oddly, she's asked during the interview if she believes in witchcraft. She gets the position, working for Paul Holland (Tom Conway), who is a wealthy plantation owner on the Caribbean island of St. Sebastian. Holland has hired her to take care of his wife, Jessica (Christine Gordon), who is in a perpetual state that resembles somnambulance. As Betsy spends more time on the island, she learns that most of the population believes in and practices voodoo, and she learns that Jessica had a relatively tumultuous past with Holland's family.
This was director Jacques Tourneur and producer Val Lewton's second horror/thriller collaboration (the first being Cat People (1942) and the third The Leopard Man (1943)). For many viewers, it is their favorite of the three. While I like the film, I don't like it quite that much--I prefer Cat People. But still, I Walked With A Zombie ends up with a 7 out of 10 from me.
The horror aspects of I Walked With A Zombie are really very minor. They're really present only as a kind of personification of the results of complicated romantic and familial relationships. Yes, there is an admirable "haunted house"-styled scene involving a spooky stairway and creepy, distant sounds, and yes, the trek to the voodoo "home fort" is well done, but this kind of material doesn't work as well for me here as it did in Cat People, because here it's not really the focus of the story. It's ancillary material with the function of helping to solve a very different kind of mystery. Also, much of the voodoo material (such as the actual ceremony) tends to be overrated in my opinion, although the final sequence related to the voodoo theme is appropriately eerie.
But what works best for me in I Walked With A Zombie are the many dialogue-heavy scenes where the three main characters--Connell, Holland and Wesley Rand (James Ellison)--gradually learn more about one another, and where the "mystery" is gradually uncovered. A scene where a local "minstrel" sings part of the backstory while Connell and Rand are having a drink is exquisite, for example. Yet, even with this positive aspect, I never felt that the backstory was sufficiently explained. The mystery remains, and the moralizing bookends of the film do not help, either.
Still, I Walked With A Zombie is definitely worth a watch, and based on the extravagant praise that many viewers utter towards the film, you might like it much better than I do.