Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Joe, inventor in an American Small town of 1895 has problems with his new invention, a car, driven with a gasoline motor. Everybody is making fun about his "crazy invention", only his girl ... See full summary »
A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Pirdy is accident prone. He has been denied insurance from every company in town because he is always getting hit or hurt in some way. On the day that he meets the lovely Ellen of the ... See full summary »
Audiences always roared with delight when Red Skelton went one-on-one with post-war life in The Yellow Cab Man, The Fuller Brush Man and other films. In Half a Hero, the legendary comic ... See full summary »
Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is the owner of a mine. But that's a missunderstanding, he works at a cleaning shop. After disturbing rehearsals he is thrown out of the theater, but when he sneaks in again, he discovers his boss talking about a bomb they want to set in the theater to blow up an ammunition store next door. Written by
Stephan Eichenberg <email@example.com>
No one seems to point out that his film is a remake of an earlier film Buster Keaton made for MGM titled "Spite Marriage", with many of the visual gags pulled directly from that earlier film with almost no changes. So as well as Red Skelton did in this, an earlier genius had done it first. Many of the best sight gags were lifted note-for-note from Keaton. The two films differ greatly in their sub-plots, but the core premise is the same. If you liked this movie, you should seek out the earlier film; a lot of it is genuinely funny. Although not Keaton at his peak (he was hampered by the MGM-imposed studio system), any Keaton is worth seeing.
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