Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is ...
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Biography of songwriter, Broadway pioneer, Jerome Kern. Unable to find immediate success in the USA, Kern sought recognition abroad. He journeyed to England where his dreams of success became real and where he met his future wife Eva.
Constance Shaw is a dance star on Broadway, Joseph Rivington Reynolds is a keen fan of her. After she is fed up with her friend, she meets Joseph and marries him, because she thinks he is the owner of a mine. But that's a missunderstanding, he works at a cleaning shop. After disturbing rehearsals he is thrown out of the theater, but when he sneaks in again, he discovers his boss talking about a bomb they want to set in the theater to blow up an ammunition store next door. Written by
Stephan Eichenberg <email@example.com>
This film's television premiere took place in Los Angeles Friday 26 July 1957 on KTTV (Channel 11), followed by Philadelpha Sunday 22 September 1957 on WFIL (Channel 6); it was first shown in San Francisco 4 January 1958 on KGO (Channel 7) and in New York City 3 February 1960 on WCBS (Channel 2). See more »
Silly comedy enlivened by some glittering production numbers...
You have to be a die-hard RED SKELTON fan to approve of his slapstick performance in I DOOD IT, but some of his routines just fall flat. He and ELEANOR POWELL have to deal with a less than spectacular script in which he's mistaken for a wealthy man when he's actually a pants presser. The gags that follow are weak, for the most part, but occasionally some bright bits of humor do crop up along the way.
For comic timing, nothing beats the scene where Powell takes the sleep medicine by mistake and Skelton is unable to wake her up to either put her in a chair or on a bed. Her limber body provides a lot of chuckles as he struggles to get her off the floor. The timing by both is impeccable and it's one of the film's best routines.
Too bad her dance numbers aren't staged as well as that sequence which runs a little too long. They're serviceable, but that's about all.
Jimmy Dorsey and his orchestra play some nice tunes, best of which is "Star Eyes" sung by Bob Eberly and Helen O'Connell. An "audition" scene featuring Hazel Scott at the piano and Lena Horne as vocalist on "Jericho" is a lively routine that gives the film a much needed musical highlight.
But for both Skelton and Powell, this is one of their lesser efforts. Sam Levene, Thurston Hall, John Hodiak and Richard Ainley offer good support.
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