Old friends Ward and Phillip both become smitten with Phillip's mother's attractive young secretary Stella. But Stella marries Phillip and stands by him as his behavior becomes more and ... See full summary »
Society lawyer Christopher Durant agrees to defend his friend Phil Siddall when Siddall is arrested for the murder of an ex-girlfriend. With the help of nightclub singer Pat Abbott and ... See full summary »
Edwin L. Marin
Seeing her chance, 25-year-old heiress (Virginia Bruce) flees from her over-protective grandfather with none of her fortune in her purse. On the streets of New York, she is befriended by a ... See full summary »
Toni Bradley comes to New York City, from a small town in Iowa, to take over her late father's estate and sporting business, which is primarily gambling on sports events, with a lot of the ... See full summary »
George B. Seitz
Wealthy socialite Elizabeth Flagg is courted by persistent Michael McLain, despite her protests that she is a married woman. McLain is just charming enough to attract Elizabeth into a ... See full summary »
Famed English painter Priam Farll has spent the last 25 years living in various remote locations with only his trusted manservant, Henry Leek, for company. While Farll is summoned to London to receive a knighthood, Leek falls ill and dies. Wishing to avoid the ostentation knighthood ceremony, the reclusive painter assumes his valet's identity. Farll, posing as Leek, soon receives a letter from Alice Chalice, a widow who has been corresponding with Leek through a marriage bureau and is expecting to finally meet her beloved in person... Written by
At approximately 1:05:54 into the film, the well-lit wall close behind the two main characters suddenly cuts to darkness, as though simulating a night scene, and after seven seconds returns to daylight brightness; all while the ongoing dialogue through the two cuts flows smoothly. See more »
"Holy Matrimony" existed for me only as legend for the longest time. My father's friend Bill Gitt (renowned projectionist and elder brother of film preservationist Bob) was a great fan of this and often spoke of it, though I can't recall ever seeing it as a young lad. But I searched long and hard and finally tracked down a DVD of it (not a bad print at all), and it is truly enchanting. Marvelous, marvelous performance by Monty Woolley, in a very understated mood -- those who know him only from "The Man Who Came to Dinner" will, I think, be quite pleasantly surprised by his work here and, from Gracie Fields, a miraculous one. The first time I watched it I thought, well, she doesn't do much. But then I wanted to see it again almost immediately. And it's true, she doesn't do much, but the little things she does are simply exquisite. A great, really subtle performance, not at all played for laughs, but funny all the same. Her delivery of the simple line, "That's it," is a lesson in charming simplicity. John M. Stahl, that strange, almost mythical director, has a marvelous effect on actors (see, for example, Adolphe Menjou in "Letter of Introduction," where he really plays sincerity... well, sincerely): without fancy photography, he seems able to give them an almost mystical radiance. And he has an amazing cast of character actors to work with here: Eric Blore, Una O'Connor, Alan Mowbray, George Zucco, Laird Cregar, Melville Cooper, Ethel Griffies. A superb Nunnally Johnson script (his best?) and an excellent score (Cyril Mockridge) -- typical of Fox films of the 40s and early 50s. A film worth seeking out, one you will want to watch time and again.
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