London 1846. Singer Gloria Vane has a resounding success at the Adelphi Theater. While she throws a brilliant party, her lover, Sir Albert Finsbury, an army commanding officer, prepares to ... See full summary »
Academy Award-winner* Mary Astor (The Maltese Falcon) stars as a widow whose grown children try to break up her romance with a college professor in this charming, offbeat comedy directed by... See full summary »
When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that's therefore unavailable to aid a local hero, Dr. Wayne ... See full summary »
A young, impoverished German woman named Hanna (Maria von Tasnady) gives her infant up for adoption and emigrates to American to live with her husband. When her husband commits suicide, ... See full summary »
Mária Tasnádi Fekete
Somewhat fictionalized account of the destruction of the village of Lidice in Czechoslovakia and the events leading up to it. In 1942, the Allies parachuted a Czech resistance fighter into the area. He quickly reunites with his former girlfriend and many of the villagers who knew him from before the war. The Nazis are evil however and under the command of Reinhardt Heydrich rule the country with an iron fist, arbitrarily arresting innocents and charging them with fictitious crimes. When Heydrich is severely wounded in a roadside attack - he dies three days later - Henrich Himmler orders the destruction of Lidice. The men are herded into a church which is set aflame and the women are sent to concentration camps. The town itself is leveled. Written by
Although this film was originally filmed by poverty-row studio Producers Releasing Corp. (PRC), the word got out in Hollywood that the picture was far and away the best thing PRC had ever done; eventually MGM executives got a look at it, were suitably impressed, bought it from PRC and it was released as an MGM picture. See more »
Although the history portrayed in this little cheapie is not 100% accurate, the power and style of the great director Douglas Sirk shines through all the way. Carradine's death-bed scene is superbly acted, photographed and directed, and the climax, propaganda or not, is unforgettable. It is well worth your time!
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