Two bumbling plumbers are hired by a socialite to fix a leak. A case of mistaken identity gets the pair an invitation to a fancy party and an entree into high society. As expected, things ... See full summary »
Russ Raymond, America's number one crooner, disappears and joins the Navy under the name Tommy Halstead. Dorothy Roberts, a magazine journalist, is intent on finding out what happened to ... See full summary »
Bud and Lou enlist in the army in order to escape being hauled off to jail, and soon find themselves in basic training. To their dismay, the company's drill instructor is none other than ... See full summary »
Two ghosts who were mistakenly branded as traitors during the Revolutionary War return to 20th century New England to retrieve a letter from George Washington which would prove their ... See full summary »
A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox), they also meet old friend Johnny Long (Johnny Long) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers, but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks. Written by
Les Adams <email@example.com>
Lou Costello always suspected that Universal wasn't giving he and Bud Abbott the agreed-upon share of the profits the studio made from their films (a suspicion later proven--as a result of legal action they took against Universal--to be true). Therefore, he developed a habit of picking out furniture he liked from the sets of their films and taking it home, considering it payback for what he believed to be Universal's cheating. One day director Charles Lamont showed up on the set to shoot a scene at the ice skating rink only to discover that all the wrought-iron patio furniture that had been there the previous day had disappeared. Costello denied any knowledge of it, and Lamont said he would shoot no more scenes until the furniture was returned. A compromise was finally reached whereby Costello would bring back the furniture, the scene would be shot, and then he would be allowed to bring all of the furniture back home. See more »
When Flash and Tubby arrive at the ski cabin, you can see their shadows on the trees in the backdrop behind them. See more »
Hit The Ice was Universal Studio's attempt to cash in on the popularity of 20th Century Fox's Sun Valley Serenade which mixed swing music with Sonja Henie's ice skating. Universal didn't have an ice skater of the caliber of Sonja Henie, but they did have Abbott&Costello and Costello on the ice was a sight to see.
As for the swing music, Glenn Miller and his Orchestra were in Sun Valley Serenade and Universal didn't have them either. By this time Glenn Miller had gone to war. So they hired one of the good second line swing orchestras of the period led by violinist Johnny Long. And they also acquired Ginny Simms one of the best female singers from the Forties to appear with Long.
However first and foremost the film is an Abbott&Costello effort and the boys do come through. They're first free lance photographers who take a picture of gangsters Sheldon Leonard, Marc Lawrence, and Joe Sawyer robbing a bank while Leonard is supposed to be in a hospital. Leonard's set up careful alibi about that even with doctor Patric Knowles and nurse Elyse Knox suspicious. Costello's camera work threatens to blow up some best laid plans.
The whole cast winds up at Sun Valley during the ski season, setting up a most excellent chase sequence with the boys and the crooks going down slope. We're not quite sure who's chasing who, but the loot from the robbery is involved.
Bud and Lou do some very good work. Sad to say that the film was badly edited and there are some plot problems because of it. Towards the end you see the boys in tuxedos waiting for Ginny Simms at a train station with no real explanation as to why they're in the formal wear. Simms also gets to play straight girl for the boys, part of her role is to vamp Costello and she does a good job. All that beauty and an incredible set of pipes.
Hit The Ice is not one of their best efforts, but still better than some of what they did in the Fifties and should please Bud and Lou's strong legion of fans the world over.
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