Nan Spencer is on a boat bound for Havana which runs aground. The man sent to rescue her is engaged and she doesn't understand his disinterest. Gambler is interested, to the annoyance of his girlfriend.
Starting in 1913 movie director Connors discovers singer Molly Adair. As she becomes a star she marries an actor, so Connors fires them. She asks for him as director of her next film. Many silent stars shown making the transition to sound.
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring ... See full summary »
Highly fictionalized early history of Canada. Trapper/explorer Radisson imagines an empire around Hudson's Bay. He befriends the Indians, fights the French, and convinces King Charles II to sponsor an expedition of conquest.
Susan Miller works behind the girdle counter in a department store and dreams about the beautiful clothes and glamour she can never hope to have. Enter May Worthington and Warren, a pair of... See full summary »
A memo to the exchange managers and exhibitors (and sniped to 20th Century Fox's press book) reads: "CORRECTION! Please eliminate the following credits on 'Hello, Frisco, Hello': George Barbier... from the cast. Hermes Pan... as co-stager of the dance sequences." See more »
Alice Faye and John Payne in their best film together...
Charming period musical with Alice Faye as a saloon singer in love with social-climbing John Payne who has his eyes on Lynn Bari. The Barbary Coast is aglitter in Fox's brightest technicolor. The slim plot allows Alice to sing one of her most famous songs: "Hello, Frisco, Hello" which won the 1943 Oscar for best song.
With a sparkling supporting cast including Jack Oakie, June Havoc, Laird Cregar and Ward Bond, it is probably the best film teaming Faye with one of her favorite leading men, John Payne. He doesn't get as many chances to sing as she does, but he was regarded as Fox's most dependable leading man in musicals and matches her every step of the way. But it's her wistful rendering of the title tune, photographed in loving camera close-ups, that shows what star quality is all about.
Pleasant and tuneful, this is what war-weary audiences wanted back in 1943. A nice comeback for Faye who had been off the screen for a year.
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