A singer (Venable) believes her marine pilot husband, accused of treason, has died in the Pacific. She decides to take a singing job in Shanghai, and finds a man who looks exactly like her ... See full summary »
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ... See full summary »
The life of boisterous entertainer Texas Guinan is recalled from her poor childhood with a down-on-his-luck father to her reign as the Queen of the Night Clubs. Along the way, she also ... See full summary »
Arturo de Córdova,
The singing/dancing Angel sisters, Nancy (Dorothy Lamour), Bobby (Betty Hutton), Josie (Diana Lynn) and Patti (Mimi Chandler), aren't interested in performing together, and this plays havoc... See full summary »
In order to help her father get his silver mine running, a burlesque queen returns home to Arizona and gets a job as an enterainer at a dude ranch and runs into a romantic mining engineer and a counterfeiter.
To land a rich husband, golddigger Marjory Stuart goes to Trinidad posing as a debutante. Beach boy Pete promptly unmasks her, but offers to help her catch his enemy, yachtsman Alfred Monroe. Marjory's pal Bubbles turns out to be the old flame of Pete's pal Wally. All the well-planned efforts to land Monroe end in slapstick; then Wally's voodoo priestess landlady gives him a love potion that works... Written by
Rod Crawford <firstname.lastname@example.org>
The song "Ta-Ra-Ra-Boom-De-Ay/Ray" was not written by Henry Gordon Thayer at all; he heard it performed in a speakeasy by an African-American performer called Mama Lou; after taking down the notes and lyrics, he sanitized the words as much as possible and published it as his own. The song was later the subject of a copyright battle in the courtroom and was declared to be in the public domain, meaning anybody can use it. See more »
The musical cinema careers of both stars was almost at an end when this film was released.Dick Powell clearly knew that his time as a juve lead was nearing its natural end as he appeared in "Farewell My Lovely" the following year.Mary Martin made one more film in this era before returning to the stage.She made very few films so a musical such as this is of great interest .Although she is quite delightful i do not think that she had the glamour of say Rita hayworth or the brashness of Betty Grable to enable her screen career to really take off.All of her performances that i have seen have been engaging without being memorable.Dick Powell does what he had been doing for 10 years on screen.Betty Hutton,Eddie Bracken and Rudy Vallee all lend support in this very entertaining and colourful 40s musical.
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