A dead World War II bomber pilot named Pete Sandidge, becomes the guardian angel of another pilot, Ted Randall. He guides Ted through battle and helping him to romance his old girlfriend, despite her excessive devotion to Sandidge's memory.
London based American nurse, Susan, Lady Ashwood, is at the hospital awaiting the imminent arrival of injured soldiers. She is hoping that her enlisted son, Sir John Ashwood, who resembles ... See full summary »
A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »
Maj. Pete Sandidge is a very able pilot who seems to have a streak of luck as far as flying goes. World War II is raging and Pete has come out of it pretty so far. He even has a beautiful girlfriend Dorinda Durston, herself a qualified pilot who ferries aircraft to different bases. When Pete is killed however, he finds himself in heaven and learns that every pilot has a guardian angel. He returns to Earth where, unseen by anyone, he coaches a pilot-in-training Ted Randall. Ted is a pretty good kid and is coming along nicely but when he's shipped to New Guinea he runs into Dorinda who has remained faithful to her lost love. As Ted pursues her, Pete will have to decide what he wants to do about it. Written by
The P-38 Lightning, featured in this film, was considered one of the best planes of WW2 since it was faster than most Japanese planes, highly maneuverable and could accept heavy damage and still fly. It featured forward firing guns, including a 20mm cannon, rather than the angled wing guns on most planes. It had one bad feature. When bailing out a pilot had to roll the plane and fall out rather than crawling out and jumping since the horizontal stabilizer between the two tails frequently would hit the pilot as he jumped. See more »
When Nails is standing at the bar having a drink with Pete and Al, he sits his almost full glass down before handing them their orders to Scotland. In the next shot as Nails is walking towards the door, his glass is almost empty - having never taken another drink from it. See more »
You're the prettiest girl in all the world. You're even prettier than a P-38.
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Some reviewers have complained that certain parts of the movie are unbelievable--agreed. However, "A Guy Named Joe" isn't a documentary. It's a riff on the nature of love and loss.
I've seen many Spencer Tracey movies, but none in which he is so subtle, charming, and heartbreaking. I won't give away his final line at the end, but it is a very simple line, delivered simply. But in his understated way, he encapsulates the most complex of human emotions.
Irene Dunne, a truly fine actress, is at her best here. Yes, her style does take a little getting used to for modern audiences, but she, too, has some incredibly difficult work to do in this film, and she meets the task impressively. And Van Johnson, whom I've never really given much thought, turns in a fine performance here, early in his career.
It is obvious that these three actors had a healthy rapport together. The lines of communication had to have been wide open for them to have turned in such gentle, subtly nuanced performances.
I can't say enough about this film. It may sound corny, but if you have ever loved anyone, and if you have ever lost anyone, you will immediately recognize the characters in this film. It's also worth mentioning that the screenplay contains some of the most beautiful poetic language I've ever heard in a movie. If you've never seen "A Guy Named Joe," I strongly recommend it; it will do your heart good.
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