Washington DC in the war. The machinery of government is a hive of endless if not seamless activity. Arnament production is the name of the game, by fair means or foul. Ed Browne, more used... See full summary »
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Washington DC in the war. The machinery of government is a hive of endless if not seamless activity. Arnament production is the name of the game, by fair means or foul. Ed Browne, more used to making cars in Detroit, is having to try and get planes made in this maelstrom. Luckily or unluckily, he finds he has a secretary who knows the political ropes - and her own mind. Written by
Jeremy Perkins <jwp@aber.ac.uk>
Leading lady Olivia de Havilland absolutely hated the role. She had not wanted to do the picture in the first place, but was forced into it by an arrangement whereby Warner Bros. loaned her services to David O. Selznick, who turned her over to RKO. Her distaste for the arrangement is evident in the wide variety of grimaces, smirks and other expressions she used to avoid creating a character of any depth or credibility. See more »
Soundtracks
"Lazy Bones"
(1933) (uncredited)
(Also called "Lazybones")
Music by Hoagy Carmichael
Lyrics by Johnny Mercer
Played on the radio at Smokey's and May's bedtime See more »
For over a decade, I have been favorably impressed by the work of Olivia de Havilland. That said, I had no high hopes for this film; I wanted to watch this film just to say I had, and to see de Havilland in a comedic role. I was pleasantly surprised, and I found myself rather taken in by the humor. Having seen Miss de Havilland in her Academy Award winning performances and many other dramatic roles, I was impressed by her comedic timing, facial expressions, and sharp sarcasm, which is also very prominent in her portrayal of Amy Lind in THE STRAWBERRY BLONDE. I by no means consider this film one of Hollywood's best, but it isn't all that bad and is definitely worth a watch - particularly if you want to see de Havilland in a different kind of role.
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For over a decade, I have been favorably impressed by the work of Olivia de Havilland. That said, I had no high hopes for this film; I wanted to watch this film just to say I had, and to see de Havilland in a comedic role. I was pleasantly surprised, and I found myself rather taken in by the humor. Having seen Miss de Havilland in her Academy Award winning performances and many other dramatic roles, I was impressed by her comedic timing, facial expressions, and sharp sarcasm, which is also very prominent in her portrayal of Amy Lind in THE STRAWBERRY BLONDE. I by no means consider this film one of Hollywood's best, but it isn't all that bad and is definitely worth a watch - particularly if you want to see de Havilland in a different kind of role.