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It Happened at the Inn (1943)

Goupi mains rouges (original title)
In a french lost village an old woman is killed and her savings stolen. Several members of her family, all called:"Goupi-...", are suspected.



(novel), (adaptation)
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Complete credited cast:
Georges Rollin ...
Blanchette Brunoy ...
Arthur Devère ...
Germaine Kerjean ...
Marcel Pérès ...
Albert Rémy ...
Jean des Goupi (as Rémy)
Marcelle Hainia ...
Louis Seigner ...
Pierre Labry ...
Guy Favières ...
Line Noro ...
René Génin ...


In a french lost village an old woman is killed and her savings stolen. Several members of her family, all called:"Goupi-...", are suspected.

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Release Date:

21 December 1945 (USA)  »

Also Known As:

It Happened at the Inn  »

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Aspect Ratio:

1.37 : 1
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Did You Know?


Award: Grand Prix du Cinéma Français 1943. See more »


Featured in Journey Through French Cinema (2016) See more »

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User Reviews

Goupi Mains Rouges
30 December 2006 | by (United Kingdom) – See all my reviews

This is actually a very subversive film, given the circumstances and the date (1943) at which it was made. It is set in the Charente, which is a region a little to the east of La Rochelle, and not too far from the cities of Limoges and Poitiers. As such it was close (if not on) the border between the zone of (German) occupation and Vichy France. Although this film consists mostly of interiors there are enough outdoor scenes (all shot in what looks like late autumn or early winter) to give a real feel for the countryside.

Vichy (which had a reduced jurisdiction over occupied France) sunk a very large amount of political capital into the promotion of a 'certain idea of France' - that's De Gaulle's phrase, however, not Petain's). That 'idea' was of a rejuvenated nation, that case aside the infamous corruption of the Third Republic, and which gave pride of place to morality, (Roman Catholic) religion and country - specifically the countryside, rather than the cities (which were nests of subversives and Semites, so-called). It was a form of the 'integral nationalism' promoted by Charles Maurras, but with Petain as a substitute monarch.

However, here is a film which deliberately sets the city (in the person of the naive store clerk, Eugene, played by the young Georges Rollin) against his rather wicked rural relatives, complete with a tipsy, centenarian patriarch (Maurice Schultz). It turns into a rather interesting detective story, but one with a very literary style.

I imagine that it slipped through the censor's scissors only because of the portrayal of the Parisian Eugene as witless and rather feckless - almost a pawn in the hands of his unscrupulous uncles and cousins. Yet the film is much more savage towards the peasants, who are really a gallery of grotesques. They are superstitious, opportunistic, entirely selfish, idle and grasping - it is almost like one of Guy de Maupassant's caricatures of the narrow-minded and bigoted Norman farmers and petit-bourgeois. So the enormous propaganda push by Vichy to elevate 'la France profonde' to mystical status is here either ridiculed or simply disregarded. This is really a film about characterisation rather than plot, and the cast (led by the excellent Fernand Ledoux) are first rate.

It is a pity that Jacques Becker was not able to keep up the good work in the postwar years - films like "Ali Baba" (with Fernandel), "Montparnasse 19" and "Arsene Lupin" for the most part didn't measure up to "Goupi Mains Rouges" or "Casque d'Or". Perhaps it is true that the restraints of a repressive culture and regime do make for a better and more subtle product.

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