The boys are sent to a mountain camp. Stranded in a small rural town, they hear about a "monster killer" roaming the countryside. At night, they sneak out. Peewee is shot by a grave-digger,... See full summary »
The Bowery Boys--Slip, Sach, Bobby, Whitey & Chuck--start their own exterminating service, and get a job which takes them to a spooky old abandoned mansion in the middle of the night. ... See full summary »
Slip, Sach and the rest of the Bowery Boys enter a haunted house, where they engage in slapstick with the Gravesend Family which has one Creepy Butler, 2 Mad Scientists a crazy old woman with a Man eating Plant a Savage Gorilla, an 8 foot tall Robot and a Vampiress.
Chuck, a reporter for The Blade newspaper, gets beaten up while trying to get a story on prison corruption, and the rest of the Bowery Boys, Slip, Sach, and Butch, get themselves arrested ... See full summary »
The crooked manager of a taxicab company is out to drive the independent owners/drivers out of business through various tactics such as sabotage, beatings and intimidation. But he crosses ... See full summary »
Glimpy's surprisingly beautiful sister is getting married to Jack, a young engineer, and moving to a 'bargain' suburban house neither has ever seen. During the honeymoon, the East Side Kids decide to fix up the house for the newlyweds...but mistakenly pick the 'haunted' house next door, which is occupied by some mysterious live men, dodging in and out of secret panels and clearly up to no good... Written by
Rod Crawford <firstname.lastname@example.org>
Slapstick meets Bela Lugosi in this all-but-forgotten 1943 comedy. Just think about that statement... Comedy, Bela Lugosi. And that right there is why I allowed myself to splurge 2 bucks for a used VHS copy, because the very concept made me crack a smile.
But although Lugosi's performance can't be argued with, the plot underpinning his role certainly doesn't help to elevate this film to award-winning, or even memorable, status. There isn't any "bad" acting from anyone on the cast. It would be more accurate to say that each part was played with about as much talent and gusto as it required. While Lugosi can just walk on screen and be effective by looking like himself, the other parts are a little trickier. There is a doofus, a few cronies, a guy getting married, or a very flat Ava Gardner, so take your pick. There isn't much depth behind those parts that a halfhack drama student couldn't pull off with a hangover, so they are adequately acted.
But all criticisms of writing and the very nature of crackerjack comedy aside, the whole thing was pretty good. There are plenty of gags and stupid lines to keep anyone with at least half a heart interested. Paintings with moving eyes, secret passages, etc. The gags get old from the start but some of the lines just snap off like popcorn and I appreciate that type of writing. It's an older, fast-talking style that Hollywood tends to ignore nowadays, if people are even writing like that any longer, but I doubt it; there's too much interest in color film, sex and violence to make dialogue important.
This film has no blood, no senseless violence, no gratuitous sex, and no crass language. Don't get me wrong, there is an upside (heh). So I'm not going to pretend that I'm too cool to say this wasn't any good, because it's funny, simple, and downright ridiculous. All I mean to say is that when those factors are combined in a script today, they doubtlessly create a tasteless, fluffy PG sleeper not worth the price of the ticket. This movie is different, however, just don't expect a cinematic masterpiece. Expect it to be what the title suggests, a simple and stupid comedy starring Bela Lugosi as a secret Nazi, and you've got to love that.
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