Larry Talbot finds himself in an asylum, recovering from an operation performed by the kindly Dr. Mannering. Inspector Owen finds him there, too, wanting to question him about a recent spate of murders. Talbot escapes and finds Maleva, the old gypsy woman who knows his secret: when the moon is full, he changes to a werewolf. She travels with him to locate the one man who can help him to die - Dr. Frankenstein. The brilliant doctor proves to be dead himself, but they do find Frankenstein's daughter. Talbot begs her for her father's papers containing the secrets of life and death. She doesn't have them, so he goes to the ruins of the Frankenstein castle to find them himself. There he finds the Monster, whom he chips out of a block of ice. Dr. Mannering catches up with him only to become tempted to monomania while using Frankenstein's old equipment. Written by
Stuntman Gil Perkins doubled for Bela Lugosi in the action scenes, as well as the scene of the Monster being released from the ice. In the climactic fight scene, Eddie Parker doubled Lon Chaney Jr. as the Wolfman, while Gil Perkins took over as the Monster. Based on interviews given years later, Perkins may have also doubled Chaney's Wolf Man in the chase scene through the woods into the castle ruins. Some film scholars insist Eddie Parker appears as the Monster in a handful of shots in the climax. See more »
When the monsters are wrestling on the floor, a book falls off one of the machines behind them. In a later scene of the fight, the book is back on the machine. See more »
There, that's his burial place. A fire destroyed him and all his misdeeds.
He is dead?
Oh but he can't be!
He didn't die any too soon for us; we all wished he'd never been born!
See more »
A scientist's hand is shown pouring a chemical into a flask, which bubbles over in vapor that coalesces into the film's title and cast names. See more »
Though not nearly up to the standards and fun level of "Ghost Of Frankenstein", this neat little Universal gem has it's heart in the right place! Wonderful opening sequence in the graveyard, plenty of atmosphere, typically gorgeous Universal studio sets and it's famous monsters! What more can you ask for? Chaney is superb as the tormented Larry Talbot but Bela leaves quite a bit to be desired as the monster. Universal would have been better off using Glen Strange one film earlier instead of waiting for 1944's "House Of Frankenstein". All in all, a fun film that staggers a bit after a rip-roaring start!
22 of 25 people found this review helpful.
Was this review helpful to you?