Larry Talbot finds himself in an asylum, recovering from an operation performed by the kindly Dr. Mannering. Inspector Owen finds him there, too, wanting to question him about a recent spate of murders. Talbot escapes and finds Maleva, the old gypsy woman who knows his secret: when the moon is full, he changes to a werewolf. She travels with him to locate the one man who can help him to die - Dr. Frankenstein. The brilliant doctor proves to be dead himself, but they do find Frankenstein's daughter. Talbot begs her for her father's papers containing the secrets of life and death. She doesn't have them, so he goes to the ruins of the Frankenstein castle to find them himself. There he finds the Monster, whom he chips out of a block of ice. Dr. Mannering catches up with him only to become tempted to monomania while using Frankenstein's old equipment. Written by
When Larry Talbot discovers a photo of Elsa Frankenstein, you can see the Monster's mouth moving, but without sound coming out. Most scenes that included the Monster's dialogue were cut completely from the film or dramatically shortened. Here, Bela Lugosi's voice track was simply erased. See more »
The monster, despite some popular misconceptions, IS named 'Frankenstein' in this series, as confirmed in the prologue of Bride of Frankenstein. Although sticklers insist that Frankenstein is the name of the man who made the monster and not the monster himself, that only applies to the Mary Shelley novel. This film series deviates freely from the novel's plot and introduces many new characters and situations, including this one. See more »
Freddy Jolly - Graverobber:
[reading from a headstone]
'Lawrence Stewart Talbot, who died at the youthful age of thirty one. R.I.P.' That's it. Give me the chisel.
Suppose they didn't bury him with the money on him.
Freddy Jolly - Graverobber:
Everybody in the village knows about it - his gold watch and ring and money in his pockets.
It's a sin to bury good money when it could help people.
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A scientist's hand is shown pouring a chemical into a flask, which bubbles over in vapor that coalesces into the film's title and cast names. See more »
One must pity the Wolf Man. Marked not only with the pentagram, but marked to never have a sequel that was all his own. A real shame, considering that even the likes of the Mummy got 'four' sequels. Universal begins their monster-mash rallies of the 1940s here, as Wolfie must share his sandbox with the "undying monster" & the two get along well for the most part, but eventually, even the best of friends will have their disputes....
The film begins on a very high note, with one of the most chilling and atmospheric openings in any horror movie. The potential was certainly here for a great 'Wolf Man' sequel that could've surpassed the original. Too bad the monster has to rear his ugly, stitched up head.
Speaking of that monster, "Poor Bela" always get the blame dumped on him for why this film had to be chopped up in post-production, the story always being that the monster with his voice was simply too "Hungarian funny", yet this film was produced by the same Universal that a year earlier made "Ghost of Frankenstein" which featured the monster with Bela's voice. It didn't bother anyone then, so what was the problem now? There has to be more to the story than "it was all Lugosi's fault". Would it be considered out of the realm of possibility to speculate that perhaps the great Curt Siodmak (the screenwriter) wrote some seriously crappy dialogue for the creature to recite that would've produced titters no matter who spoke it?
Also marring the proceedings a bit is some shaky continuity in regards to the monster's portion of the story if you're familiar with the previous 'Ghost' movie. How is it, that there's suddenly a Frankenstein castle in Vasaria (or is it Vi·Saria), when in the previous film, the villagers in the town called "Frankenstein" blew it up. And there are many instances where the screenwriter doesn't seem to know the difference between Ludwig Frankenstein & his father Henry who made the monster, as Talbot, the villagers, even Baroness Frankenstein speak as if Ludwig actually created the monster.
And yet, in spite of its inconsistencies (not to mention the heavy editing done to it), the whole of 'FMTWM' still turns out very good, and the ending clash of the monsters is very entertaining. While Frankenstein fans may be disappointed, this picture definitely works as a great 'Wolf Man' sequel & one of the top Universal romps from the 1940s. After this picture, Dracula and a few other fiends would get invited to the monster party.
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