Larry Talbot finds himself in an asylum, recovering from an operation performed by the kindly Dr. Mannering. Inspector Owen finds him there, too, wanting to question him about a recent spate of murders. Talbot escapes and finds Maleva, the old gypsy woman who knows his secret: when the moon is full, he changes to a werewolf. She travels with him to locate the one man who can help him to die - Dr. Frankenstein. The brilliant doctor proves to be dead himself, but they do find Frankenstein's daughter. Talbot begs her for her father's papers containing the secrets of life and death. She doesn't have them, so he goes to the ruins of the Frankenstein castle to find them himself. There he finds the Monster, whom he chips out of a block of ice. Dr. Mannering catches up with him only to become tempted to monomania while using Frankenstein's old equipment. Written by
Several photos exist showing the deleted scenes (the fireside chat between the Monster and Talbot beneath the icy catacombs of the castle for instance; where Talbot & the audience learn that the Monster is still blind). This has been confirmed by several sources, including screen writer Curt Siodmak. In the mid-'80s a search was made through the Universal Studio vaults for a print or negative of the uncut prerelease version. As of this date, it has not yet been found. See more »
The Wolf Man falls into the ice caverns beneath Frankenstein castle. Larry Talbot awakens the next morning wearing shoes, which The Wolf Man didn't have on. See more »
Freddy Jolly - Graverobber:
[reading from a headstone]
'Lawrence Stewart Talbot, who died at the youthful age of thirty one. R.I.P.' That's it. Give me the chisel.
Suppose they didn't bury him with the money on him.
Freddy Jolly - Graverobber:
Everybody in the village knows about it - his gold watch and ring and money in his pockets.
It's a sin to bury good money when it could help people.
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A scientist's hand is shown pouring a chemical into a flask, which bubbles over in vapor that coalesces into the film's title and cast names. See more »
Frankenstein meets the Wolf Man in another fun film from Universal
Not one of Universal's best horror entries (it's not as good as its predecessor The Wolf Man, which is a very good film indeed), but it holds up well as a fun and charming film with a lot of atmosphere. It does end too abruptly for my tastes and Bela Lugosi looks very ill at ease, too sharp-featured and far from imposing as the Frankenstein monster. To be fair though to Lugosi it is not entirely his fault, as the character is poorly developed and written and you can actually tell that his screen time was intended to have been longer, hence why some of the story was in want of more explanation(the blindness was important and that was literally ignored). Frankenstein Meets the Wolf Man is a very good-looking film, it's beautifully shot with eerie lighting and the sets give off a real Gothic horror atmosphere but look sumptuous at the same time. The music fits well, complimenting the thrills without sounding overbearing and stock. The script is very witty and cohesive with only with the monster where it felt incomplete, while the story is always compelling filled with entertainment and the scares positively thrill. Especially good is the opening sequence which is brilliant, so chilling and effectively atmospheric that you are excited to see what follows afterwards, to me it is one of the best openings to a Universal horror during this period and even after. The monster brawl is a lot of fun as well. Frankenstein Meets the Wolf Man is skilfully directed throughout, is briskly paced, the characters are engaging without being fully dimensional and the acting is mostly solid apart from Lugosi. Illona Massey is a smouldering and unusually smart Elsa and Dwight Frye and Lionel Atwill provide entertaining support. Coming off best is Lon Chaney Jnr as Talbot aka The Wolf Man who's superb, goose bump-inducing but movingly sympathetic as well. His makeup is just as good as it was in The Wolf Man. Overall, fun, charming and atmospheric, not perfect by any stretch but well worth the watch and goes very well with The Wolf Man. 7/10 Bethany Cox
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