A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi ... See full summary »
June, 1942. The British Army, retreating ahead of victorious Rommel, leaves a lone survivor on the Egyptian border--Corporal John Bramble, who finds refuge at a remote desert hotel...soon to be German HQ. To survive, Bramble assumes an identity which proves perilous. The new guest of honor is none other than Rommel, hinting of his secret strategy, code-named 'five graves.' And the fate of the British in Egypt depends on whether a humble corporal can penetrate the secret... Written by
Rod Crawford <firstname.lastname@example.org>
Ingrid Bergman was the first choice for the part of Mouche. The 'Hollywood Reporter' in November 1942 reported that mogul producer David O. Selznick approved the borrowing of its star Ingrid Bergman by Paramount Studios for this movie. By the late 1940s, the Selznick International company was making very few movies and became a talent agency by default, deriving needed income by loaning out its contract stars to other studios. Bergman, though, did not end up being in this picture. See more »
In different shots, the pepper and salt shakers on the table in front of Rommel change positions, inexplicably, as he taunts his captives with his plan. See more »
I really enjoy WWII films made during the war because the movies always end with the future unknown except that the Allies will keep fighting to save the world. In "Five Graves to Cairo", there is that spirit but Billy Wilder also showed the cost of the fight. The film also shares with "Beau Geste" the most eerie of beginnings. The only sore spot is that I think the ending should have been left unknown, to me that is more like war. Just memories. Other than that one the best WWII movies ever made.
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