Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
A frustrated former big-city journalist now stuck working for an Albuquerque newspaper exploits a story about a man trapped in a cave to re-jump start his career, but the situation quickly escalates into an out-of-control circus.
Originally made with a German soundtrack for screening in occupied Germany and Austria, this film was the first documentary to show what the Allies found when they liberated the Nazi ... See full summary »
June, 1942. The British Army, retreating ahead of victorious Rommel, leaves a lone survivor on the Egyptian border--Corporal John Bramble, who finds refuge at a remote desert hotel...soon to be German HQ. To survive, Bramble assumes an identity which proves perilous. The new guest of honor is none other than Rommel, hinting of his secret strategy, code-named 'five graves.' And the fate of the British in Egypt depends on whether a humble corporal can penetrate the secret... Written by
Rod Crawford <firstname.lastname@example.org>
On 13 December 1943, about just over six months after this film was first released in the USA, this movie's stars Anne Baxter and Franchot Tone reprized their characters of Mouche and Corporal John J. Bramble from this movie for a radio broadcast of a Lux Radio Theatre show. See more »
When Bramble walks/runs into the town his shadow is behind him, then in front, then again behind him. See more »
Billy Wilder was one of the best directors of his era, so it's no surprise that, in spite of a certain amount of wartime propaganda, 'Five Graves to Cairo' has a fizzy plot, a strain of black humour and a lightness of touch that sets it apart from the majority of films made at this time. It's also interesting as a film made while the war was still going on: far from demonising the enemy, it provides a generous portrait of Rommel, an unpleasant but human German army and a comedy Italian general for light relief. The plot also features a cynical Frenchwoman and a slightly racist realisation of an Egyptian: in some ways it's surprising to see how little this almost-fresh picture differs from those made later (if anything, since we discovered Auschwitz, it's been harder to make a film that shows that humanises the Nazis). 'Five Graves to Cairo' isn't Citizen Kane, and of course today this sort of thing would be done with much more violence, sex, and swearing: but that's a kind of recommendation in itself.
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