Hank Smith, a brutish stoker on board a freighter, is appalled when Mildred Douglas, a society girl forced by circumstance to travel as a passenger, visits the stokehold and recoils at the ... See full summary »
Talented small-town girl Lily Mars hounds producer John Thornway for a part in his new play, but he doesn't want anything to do with stage-struck amateurs. But when Lily follows him to New ... See full summary »
After a boiler explosion aboard an aging ocean liner, a man struggles to free his injured wife from the wreckage of their cabin and ensure the safety of their four-year-old daughter as the ship begins to sink.
Andrew L. Stone
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
In Wyoming Territory, a range war is brewing between entrenched cattle barons and new settlers. Cattle king Reece Duncan is opposed by ambitious gambler Jim Averell, who imports his old ... See full summary »
In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl ... See full summary »
New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go. She gets involved with the playboy and never ... See full summary »
A Texas oil millionaire, after failing to secure oil lands in Argentina, seeks out a famous race horse in Buenos Aires and order his representative to buy the nag at any price. Ellison has ... See full summary »
A former Spanish Civil War prisoner, John McKittrick arrives in New York to find the truth behind the death of his friend Louie Lepetino. He finds himself being chased by Nazi agents who want an item he has brought back from Spain and cannot give up. When another of his friends is murdered, McKittrick realizes that he cannot trust anyone around him - not anyone. Written by
Jim Beaver <firstname.lastname@example.org>
Long before the "method" style "invaded" the acting profession, there were many equally fine performers which came before the mid-'50s "movement."
These "predecessors" didn't wear their craft-on-their-sleeve as much; in fact, many (like Tracy, Ryan, and Cagney) behaved so naturally, it was as though they were speaking their own lines. One such earlier talent was John Garfield.
A consummate performer, Garfield could seemingly do no wrong--not make one false move. In film after film, he didn't appear to be acting; rather he was just "being" the character.
Although "The Fallen Sparrow" isn't one of Garfield's greatest parts or films, he's on target in every scene. Yes, it's called "talent, star quality," and Garfield's got "it."
With a respectable "noir" script, and peopled with a solid cast of leads and supporters, "Sparrow" manages to engage the attention and create genuine interest throughout. A good looking, sharp and crisp, black-and-white production design enhances this presentation, which also features the always dependable Maureen O'Hara and Walter Slezak.
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